Fiza (2000) is concisely described at IMDB here: In 1993 Fiza’s brother disappears during the riots in Mumbai. In 1999 Fiza is tired of waiting and goes looking for him. But there’s a little more to it than this, since when he’s gone he becomes a TERRORIST! And this makes me think, can I write the word terrorist without being put on some kind of a watch list? I’ll let you know. I suppose the movie’s poster hints at what happened to the lost brother.
Fiza (Hindi: फ़िज़, Urdu: ﻓﻀﺎ) is a 2000 Indian film written and directed by Khalid Mohammed. The film stars Karisma Kapoor, Hrithik Roshan and Jaya Bachchan. Although the film failed at the box office, it was well acclaimed by critics. Originally Amitabh Bachchan and Shahrukh Khan were supposed to have cameo appearances, but their scenes were removed due to considerations about the length of the running time. The film is about Fiza (Karisma Kapoor), whose brother, Amaan (Hrithik Roshan), disappears during the 1993 Mumbai riots. Fiza and her mother Nishatbi (Jaya Bachchan) desperately hold on to the hope that one day he will return. However, six years after his disappearance, Fiza, fed up with living with uncertainty, resolves to go in search of her brother. Driven by her mother Nishatbi’s fervent hope and her own determination, Fiza decides to use whatever means she can—the law, media, even politicians—to find her brother, which brings her into contact with various characters and situations. When she does find him, to her horror she sees that he has joined a terrorist group!!!!! (source)
One of the first gorgeous songs in the film is Piya Haji Ali by A.R. Rahman (who will be embarking on a world tour this year) which plays as we see the stunning views of Haji Ali Dargah Mosque in Mumbai. All the music from the film is composed by Anu Malik.
The Filmfare for Best Actress went to Karisma Kapoor, and Best Supporting Actress went to Jaya Bachchan for their performances in Fiza. I always enjoy the intensity Karisma Kapoor brings to her characters, and for my tastes, the more hysterical the better! Kapoor has plenty of opportunities to be her most animated and outraged best in portraying Fiza.
Fiza is fietsy and surly as it is, but she’s put on edge even more than usual since the ’93 bombings, and the fact that her brother has mysteriously vanished. Her mother (Jaya) processes her grief over her missing son differently than Fiza and she’s trapped somewhere between denial and faith, but Fiza’s frustrations are manifested in her acting out more than is acceptable for a nice Muslim girl. Her mom gently warns her about this…
Fiza sometimes goes out to the club and on one occasion she seems to attempt to pick a fight through a dance. It’s been a while since I’ve seen the film, but I’m sorry to report that I think this was a girl fight over a guy. I hate to see the ladies stoop so low, but hota hai.
Here she is in the club about to show her dance/fight moves. It’s like she’s a hybrid Capoeira master, Bollywood style. It’s one of those item numbers that makes you think What on earth am I watching and why? In other words the type I love most! Not a lot of people know this, but I choreographed this number:
Fiza has a fiery personality as it is, but too often she is pushed to the limit and her very sharp tongue and tantrums are justified. There are some scoundrels who follow her making lewd comments and generally sexually harass her; as they say in India they are eve teasing. Isn’t that a crazy term, twisting the fault back to the woman?
Idiots! They go to a further level at taunt her with threats of throwing some acid at her. Look how casually these n’er do wells toss up the acid bottle here:Well, boys will be boys afterall, (kidding) and nobody messes with the Fiza, and she just snatches the bottle of acid, taking control of the situation!
If Fiza can speak her mind in the face of extreme harassment, have cool nightclub dance challenges, can’t she go to infiltrate some top-secret terrorist group to try to find her missing brother? YES SHE CAN! So she sheds her salwar kameez and puts on her polar fleece jacket, some acid wash jeans, and her backpack and heads Kashmir or where ever they train terrorists, to handle things! Does she have time to buy a puppet? NO!
After slipping on her high waisted, acid wash jeans, Fiza happens upon Shusmita Sen grooving out to Mehboob Mere, with playback singers Sunidhi Chauhan and Karsan Sargathia. I was listening to Curry Smuggler’s podcast last week, and they made reference to the film, which reminded me that in my ever-growing backlog of movie screen caps, I had several images from Fiza. This was reminder enough to help get to posting about it. It’s the eclectic mash-up of Mehboob Mere with Slave 4 U by Britney Spears (which was based on Nasty Girl by Vanity 6 ) that reminded me to do this post. You can find that HERE: episode 2 track 4.
Fast forward to find that Fiza locates her radicalized brother outside of a gift shop.
Fiza brings her brother back to Mumbai, but he’s different, sort of stressed out and tense since he’s an undercover terrorist! Mom tries to help him out by taking him to a relaxation/friendship group in the park called the Ha Hi Hi club, lead by Johnny Lever. I think a better naam for the club would have been The LOL club.
I hope you’ve enjoyed some of the more peculiar screen caps I found from Fiza and I’d love to hear about your impressions and memories of the film. I will always take a screen cap when I see the word melodious, so I’ll leave you with this one from Fiza: