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Posts Tagged ‘Jaya Bachchan’

Fiza (2000) is concisely described at IMDB here: In 1993 Fiza’s brother disappears during the riots in Mumbai. In 1999 Fiza is tired of waiting and goes looking for him. But there’s a little more to it than this, since when he’s gone he becomes a TERRORIST!  And this makes me think, can I write the word terrorist without being put on some kind of a watch list?  I’ll let you know.  I suppose the movie’s poster hints at what happened to the lost brother.

Fiza (Hindi: फ़िज़, Urdu: ﻓﻀﺎ) is a 2000 Indian film written and directed by Khalid Mohammed.  The film stars Karisma Kapoor, Hrithik Roshan and Jaya Bachchan. Although the film failed at the box office, it was well acclaimed by critics. Originally Amitabh Bachchan and Shahrukh Khan were supposed to have cameo appearances, but their scenes were removed due to considerations about the length of the running time. The film is about Fiza (Karisma Kapoor), whose brother, Amaan (Hrithik Roshan), disappears during the 1993 Mumbai riots. Fiza and her mother Nishatbi (Jaya Bachchan) desperately hold on to the hope that one day he will return. However, six years after his disappearance, Fiza, fed up with living with uncertainty, resolves to go in search of her brother. Driven by her mother Nishatbi’s fervent hope and her own determination, Fiza decides to use whatever means she can—the law, media, even politicians—to find her brother, which brings her into contact with various characters and situations.  When she does find him, to her horror she sees that he has joined a terrorist group!!!!! (source)

One of the first gorgeous songs in the film is Piya Haji Ali by A.R. Rahman (who will be embarking on a world tour this year) which plays as we see the stunning views of  Haji Ali Dargah Mosque in Mumbai. All the music from the film is composed by Anu Malik.

The Filmfare for Best Actress went to Karisma Kapoor, and Best Supporting Actress went to Jaya Bachchan for their performances in Fiza. I always enjoy the intensity Karisma Kapoor brings to her characters, and for my tastes, the more hysterical the better!  Kapoor has plenty of opportunities to be her most animated and outraged best in portraying Fiza.

Fiza is fietsy and surly as it is, but she’s put on edge even more than usual since the ’93 bombings, and the fact that her brother has mysteriously vanished.  Her mother (Jaya) processes her grief over her missing son differently than Fiza and she’s trapped somewhere between denial and faith, but Fiza’s frustrations are manifested in her acting out more than is acceptable for a nice Muslim girl.  Her mom gently warns her about this…

Fiza sometimes goes out to the club and on one occasion she seems to attempt to pick a fight through a dance. It’s been a while since I’ve seen the film, but I’m sorry to report that I think this was a girl fight over a guy.  I hate to see the ladies stoop so low, but hota hai.

Here she is in the club about to show her dance/fight moves. It’s like she’s a hybrid Capoeira master, Bollywood style. It’s one of those item numbers that makes you think What on earth am I watching and why? In other words the type I love most! Not a lot of people know this, but I choreographed this number:

Fiza has a fiery personality as it is, but too often she is pushed to the limit and her very sharp tongue and tantrums are justified.  There are some scoundrels who follow her making lewd comments and generally sexually harass her;  as they say in India they are eve teasing. Isn’t that a crazy term, twisting the fault back to the woman?

Idiots!  They go to a further level at  taunt her with threats of throwing some acid at her.   Look how casually these n’er do wells toss up the acid bottle here:Well, boys will be boys afterall, (kidding) and nobody messes with the Fiza, and she just snatches the  bottle of acid, taking control of the situation!

If Fiza can speak her mind in the face of extreme harassment, have cool nightclub dance challenges, can’t she go to infiltrate some top-secret terrorist group to try to find her missing brother? YES SHE CAN! So she sheds her salwar kameez and puts on her polar fleece jacket, some acid wash jeans, and her backpack and heads Kashmir or where ever they train terrorists, to handle things! Does she have time to buy a puppet?  NO!

After slipping on her high waisted, acid wash jeans, Fiza happens upon Shusmita Sen grooving out to Mehboob Mere, with playback singers Sunidhi Chauhan and Karsan Sargathia.  I was listening to  Curry Smuggler’s podcast last week, and they made reference to the film, which reminded me that in my ever-growing backlog of movie screen caps, I had several images from Fiza.  This was reminder enough to help get to posting about it. It’s the eclectic mash-up of  Mehboob Mere with Slave 4 U by Britney Spears (which was based on Nasty Girl by Vanity 6 ) that reminded me to do this post.  You can find that HERE: episode 2 track 4.

Fast forward to find that Fiza locates her radicalized brother outside of a gift shop.

Fiza brings her brother back to Mumbai, but he’s different, sort of stressed out and tense since he’s an undercover terrorist! Mom tries to help him out by taking him to a relaxation/friendship group in the park called the Ha Hi Hi club, lead by Johnny Lever. I think a better naam for the club would have been The LOL club.

I hope you’ve enjoyed some of the more peculiar screen caps I found from Fiza and I’d love to hear about your impressions and memories of the film.  I will always take a screen cap when I see the word melodious, so I’ll leave you with this one from Fiza:

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You may be wondering like I am, “Sita-ji, why aren’t you in Chicago tonight enjoying Amitabh and everyone else in The Unforgettable Tour?” You see there was a time not too long ago when one could fly from Minneapolis (blog headquarters) to Chicago for $100 or $200 round trip. Now with the poor economy, the airline troubles, and many of the charters that serviced the MSP-Chicago route being shut out of service and our poor corporate citizen airline, NWA somewhat monopolizing the route, flights now routinely cost between $500-$800! I could fly to NYC for less! NWA, did you forget the state of Minnesota graciously bailed you our with millions and millions of dollars($245 to be specific), I mean lakhs and crores of rupees? You forgot to pay us back NWA! I digress, let me swallow that bitter pill and move on, teekay? But you see, we are all related and everything is connected to everything and I choose to partially blame NWA for me missing this show. 🙂 So I had some tentative plans to make a spur of the moment driving pilgrimage to Chicago with a Bollywood buddy pending on how the vibe felt this morning. It was not vibing, so we settled in to watch the next best thing to seeing Amitabh performing on stage: we watched Abhimaan (1973) instead, where Amitabh plays a singer who performs on stage before the masses. Sort of the same thing, without having to make the 12 hour round trip drive.

Amitabh seemed to be speaking to me throughout the film, asking Sita-ji what she wanted (to see The Unforgettable Tour, duh!) and then trying to comfort me by showing he understands the disappointment:

Thanks Amitabh! Here’s the lowdown on the film:

Abhimaan(Devanagari: अभिमान, Nastaliq: ابھمان, translation: Pride) is a 1973 Bollywood film starring Amitabh Bachchan; his real-life wife, Jaya Bachchan, Asrani, and Bindu. It was directed by Hrishikesh Mukherjee.The film is perhaps best remembered for its songs, composed and arranged by the late S D Burman, written by Majrooh Sultanpuri, and sung by famous playback singers Kishore Kumar, Lata Mangeshkar, and Mohammed Rafi. The movie takes inspiration from A Star Is Born(1954). When it was released, audiences found similarities between real-life couple Amitabh and Jaya and the couple they portrayed on-screen—as Jaya’s career was stronger than Amitabh’s at the time. She won the Filmfare Best Actress Award for Abhimaan. Subir (Amitabh Bachchan) is a professional singer whose career is soaring. He does not plan to marry—until he meets Uma (Jaya Bhaduri), a sweet village girl who also sings. Subir falls in love with Uma and marries her. He returns to Mumbai with his new bride. Subir continues as a singer and also fosters Uma’s singing career. His career falters, however, just as Uma’s singing career begins to thrive. Eventually, she becomes more famous than her husband, sparking jealousy from Subir. His pride and jealousy tear the marriage apart. The question becomes whether Subir can overcome his jealousy? (wikipedia)

For a nice blog review of the film, I direct you to The Bolly Blog. And now on to my more shallow reflections of Abhimaan! Amitabh (Subir) and Jaya (Uma) look fabulous in this film. Her saris are gorgeous! In nearly every scene she wore a new, more lovely sari! Amitabh’s shirts were just are beautiful, with a funky 70’s twist. I said to myself, “Costume designer? Kaun hai?” So let me give a shout out to whoever found the beautiful fabric and made it into those outfits and got those guys looking so great:

Shalini Shah, Ramlal, Farida and Shyam Khandekar, nice job! I like your style! I think Amitabh even looks smokin’ hot smoking and drinking:

One thing that surprised me was the sexual tension portrayed between Amitabh and Jaya. Since I am a good Hindu-Catholic-Muslim-Buddhist-Sikh-Jain and sometimes Parsi girl, I was a bit embarrassed by Amitabh tugging on Jaya’s hair and pointing to his lips for a kiss. Bachchans, keep that sexy stuff behind closed doors please! See! Bas!

The movie taught me some new things like this. Who knew men were jealous of women?

Another delightful part of the movie for me was seeing Bindu, who gave a great line said with confidence and love, that we all should consider using if ever dumped. So classy, dekho:

Bindu’s character drops some bollywood wisdom on Amitabh’s Subir. I love it!

Well he’s not ready to hear all that, nor her urging him to lighten up on the whiskey, since he’s trying to drown his sorrows vs. facing them head on. His retaliatory statement:

Snap! Oh no he didn’t! If what Subir says here makes no sense to you, go see Devdas!

For me this was a movie about they style and the music, since that’s what I enjoyed most, rather than the story itself. Not my favorite Amitabh movie, but a great one to see nonetheless, especially as a cheap subsitute to missing seeing him live in Chicago tonight. But I think the Chicago show of The Unforgettable Tour may have been a bit like this tonight; from Abhimaan, Kishor Kumar singing for Amitabh, Meet Na Mila Re Man Ka, with music by S. D. Burman, who won the filmfare award for his work here:

Here’s the remix, from Dr. K Chaudry, who is very devoted to Bollywood.

If you’d like to hear yet another marvelous tune from the film, take a detour to TheBollywoodFan’s great blog to hear Tere Mere Milan Ki.

Really how lucky we are to live in a time where we have these films at our disposal, hai na? No this isn’t a photo outside of The Unforgettable Tour, it’s from Abhimaan, showing that then and now, Big B as an actor and as himself is filling the house!

Chicago Unforgettable Tour attenders, post your review here. I’d love to hear about what I missed! Mr. Bachachan reported the following on his own blog: I have to say it. . Chicago was amazing.. Everyone was just awesome and the audience to die for. . Sold out stadium. . And India just won a gold in shooting..  Read more at his blog about this on day 109.

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Today’s video is “Pretty Woman” with music by Shankar-Ehsaan-Loy, by playback singer Shankar Mahadevan, picturized on King Khan from the movie Kal Ho Naa Ho.  I’ll get to that later but let me give you a little background first.

This is a pivotal Bollywood movie for me because it’s partly responsible for my current addiction to the genre. I had seen Devdas along with Nandini and other dosto at the Walker Art Center in Minneapolis back in September 2003; the seed was planted. In the following years I saw Monsoon Wedding, Bend It Like Beckham, and Kandukondain Kandukondain. These Indian related movies swirled in my head a few years. Skip forward to August of 2006 and I’m looking at a Netflix page thinking, “Hey, I’d like to see that guy from Devdas in something.” I figure “that guy” is Shah Rukh Khan and put Kal Ho Naa Ho in the queue because it’s recommended. So I watch this movie and am stunned by how LONG it is! I’m disappointed that it’s set in what is supposed to be New York. Hey! This isn’t right, I wanted a real Indian movie set in India. Then I see this “Pretty Woman” scene and get that feeling you get when you’re embarrassed by someone, even worse that being embarrassed for yourself. But THEN the movie takes this turn that I never expect. Shah Rukh Khan is so dramatic that I’m sucked in. It has a love triangle, self sacrifice, and an emotionally wrenching hospital scene. So half way through, I accept it as a good movie and all I know is I want more! Then I saw Kuch Kuch Hota Hai, followed by Main Hoon Na. Then I watch Main Hoon Na again with Nandini and I sense another Bollywood junkie. It’s like SRK was a gateway drug to Bollywood. Next discovery is the pure cocaine of Amitabh, and the angry young man movies. HOOKED! I pick up a Hindi street naam of Sita-ji after watching Dance Dance, to keep it real. So the addiction begins! I stay with Bollywood, because it’s what I know, it’s safe. I believe that if I slip into Tollywood and Kollywood, and I’ve had a taste of the Telugu and Tamil scene people, it would be like taking crack, possibly meth. I have to stay away from Rajinikanth for now. And Lollywood would be like heroin, unmanageable. I need to stay as clean as I can, so it’s mostly Bollywood for now. I saw Nandini the other night, and we whispered a bit about Nollywood, careful to not let too many people hear, but knew to back off, it was just too dangerous. And we know that kal ho naa ho, but it’s still good to play it safe.

khnh.jpg

Kal Ho Naa Ho (Devanagari कल हो ना हो, Nastaliq: کل ہو نہ ہو, English: Tomorrow May or May Not Be) is a 2003 Bollywood film set in New York City. It stars Jaya Bachchan, Shah Rukh Khan, Preity Zinta, and Saif Ali Khan. The film was directed by first-timer Nikhil Advani; it was produced and co-written by Karan Johar, better known as the director of the hit films Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham (2001). This movie resembles Dil Chahta Hai (2001) in blending Bollywood and Hollywoodconventions with high production values. While copyright violation has long run rampant in the Bollywood film industry, Kal Ho Naa Ho is notable for having licensed the rights to Roy Orbison‘s “Oh, Pretty Woman” for an extended musical sequence taking place in the streets in New York. Because of its familiar setting and music, accessibility to non-Indians, good production values, and respect for copyright, Kal Ho Naa Ho has been used to introduce Bollywood to markets where Indian films have been rare. Naina Catherine Kapur (Preity Zinta) is an angry young woman, for more than one reason. Her father committed suicide when she needed him the most, leaving Jennifer (Jaya Bachchan), his wife, to raise their children all khnh2.jpgalone. Lajjo (Sushma Seth), Jennifer’s mother-in-law, blames Jennifer for the suicide. Furthermore, Jennifer is unhappy because Lajjo refuses to accept Gia, a six-year-old girl whom Jennifer adopted, as her granddaughter. In addition, the restaurant Jennifer operates is faltering. The only factors that redeem Naina’s life are the toiling and tolerant Jennifer and Naina’s bumbling MBA classmate Rohit (Saif Ali Khan). Aman Mathur (Shah Rukh Khan), a happy-go-lucky man, arrives in Naina’s neighbourhood and soon changes everything with his contagious joviality and zest for life…(wikipedia)

And speaking of New York and India, our friend Brahmanandam, a.k.a. Tim, sent a great link to Indian restaurants in New York City; “A Passage to India,” by Matthew Fishbane. Click here to check it out the article published in the January 13, 2008 in the New York Times.

So here it is, “Pretty Woman”:

Thanks to nacromanser for providing the video.

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Some dedicated BFC members made the trek to the Grove Sunday night to see:

Laaga Chunari Mein Daag

There are still times to see the movie this week:

Maple Grove Cinema, 13644 80 Circle, Maple Grove, MN 55369

laagaposter.jpgFri Oct 12: 6:30 & 9:30 pm
Sat Oct 13: 12:30, 3:30, 6:30 & 9:30 pm
Sun Oct 14: 12:30, 3:30 & 6:30 pm
M-Th Oct 15-18: 7 pm

Laaga Chunari Mein Daag – Journey Of A Woman (English: My Veil is Stained) is a Bollywood film to be released on October 12, 2007. The film is directed by Pradeep Sarkar who earlier directed the critically acclaimed film Parineeta (2005) and will be produced by Aditya Chopra. This is Sarkar’s first film with the Yash Raj Films banner. The film stars Jaya Bachchan, Rani Mukerji, Abhishek BachchanKonkona Sen Sharma, Kunal Kapoor, Anupam KherFarida Jalal and Hema Malini in a special appearance.

Here’s a great blog review of the movie:

http://nitawriter.wordpress.com/2007/10/15/laaga-chunari-mein-daag-movie-review/

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