Feeds:
Posts
Comments

Posts Tagged ‘Anu Malik’

Awaargi (1990) is a little tale about a prostitute with a heart of gold who is rescued from the brothel while she’s still chaste, by a goonda who also possesses  a heart of gold under his rough exterior.   This picture rolled at the film’s start and aren’t we all grateful to Hema for something?  Allow a moment to reflect…

The lead Meena (Meenakshi Shishandri) never actually becomes a full-fledged prostitute, but I like to write prostitute with a heart of gold, so let’s just leave it like that, instead of the more clumsy nearly became a prostitute with a heart of gold.  That sounds too awkward, doesn’t it?  Here’s a nice little collection of screen captures of Meenakshi/Meena as a nautch girl before the lovable scoundrel Azaad,  played by a well-mulletted Anil Kapoor, saves her from that fate.

I just loved Meenakshi and can’t believe I hadn’t seen her in more films.  I now would love to see her entire filmography and was able to find a mutual love for her at Nicki’s Hmong Chick Who Loves Indian Cinema’s blog and also at Bollywooddeewana.  Meena’s innocent past included singing at the mandir and studying music under the guidance of her music teacher father.  After a near miss at a prostitution career, Meena is catapulted toward super stardom and is half of the singing and dancing duo.  How does that happen you may wonder?  Well as it so happens, pop star Dhiren  (Govinda!) sees Meena performing in a hotel lounge singing gig that Azaad secured for her and is immediately enthralled by her.  Govinda is very luscious in this film.  How would YOU like to be the focus of Govinda’s gaze here?

Doesn’t that make your heart skip a beat? He invites her to become his song and dance partner and to go on tour with him.  She’s so nervous!  But look how he helps encourage her to go!I didn’t realize that Bollywood invented flamenco dancing until I saw this film and the song Ae Mere Saathiya featuring playback singers Lata Mangeshkar and Mohammed Aziz, with music by Anu Malik, and lyrics by Anand Bakshi.  This is proof:

This wonderful flamenco inspired number includes an impressive backdrop of chandeliers that Apni East India would covet.  It’s so hard to capture the fluid and graceful Govinda in the dance, but despite the blurred focus, these are still something to behold. Govinda and chandelier:

Meena stays with Azaad, and he begins to fall in love with her and dream of a life away from the one he’s lived as a goonda.

Ever since Azaad  has lost his drive for the goonda lifestyle,  his don, played by Anupam Kher, notices this change and tries to encourage Azaad to not lose his focus on crime.

And if this isn’t enough trouble for Azaad, now Meena realizes that she’s falling in love with Dhiren, and the Bollywood love triangle begins!Meena is aware that Azaad is the one who saved her from the fate of being a nautch girl/prostitute, so she is indebted to him and thus rejects Dhiren’s love to fulfill her perceived obligation to Azaad.   Eventually she lets Azaad know her feelings are conflicted.


Azaad finds out about the feelings Meena and Dhiren have for each other and to stop their love from blooming rushes ahead with a marriage proposal.  Dhiren falls into a sea of despair, thinking he’s lost his chance with  Meena.  Normally I see Govinda as a jolly good time guy, dancing and prancing about, but  behold the deliciously rare emo-Govinda!

At a party to announce his engagement to Meena, Azaad becomes drunk and decides to deal with his jealousy over Dhiren and Meena’s love by telling everyone that he bought Meena from a brothel.  Now that  somehow did not help smooth things over.

Dhiren is at the party, and witnesses Azaad humiliate Meena and can’t understand how she could agreed to marry Azaad.

So *spoiler alert* Dhiren goes to comfort Meena after her public humiliation and ends up (as we say in the USA) going all the way with her during the time that Azaad is sleeping off his drunkness.  When Azaad wakes up, his friends tell him about what an idiot he was at the party and he goes to look for Meena to apologize.  Remember, Azaad is a goonda, savvy to the ways of the world, so when he sees a clue like this…

Now you are most likely not a goonda, and perhaps a bit more naive than Azaad, so I’ll help you out with a clue.  Look beyond that bottle of Johnnie Walker on the table, and take a closer look at what Azaad sees…

That’s right! Lipstick on the glass, a glass that is emptied of its Johnnie Walker red liable whiskey! Which can only mean *spoiler alert* that Meena and Dhiren went all the way! Meena tells a Azaad something like, yeah I slept with Dhiren, and!  Then of course the fight begins over her love and a love triangle Bollywood brawl begins.

How does it end?  I’ll let you guess!  The entire movie has been uploaded to YouTube with English subtitles HERE so if you need to know who ends up with who, give it a watch.  Have you already seen this film?  If so, tell me what you remember.  Now before I leave, I have to share with you that Awaargi had so many instances of Johnnie Walker bottles, that felt obliged to make a visual record of it.  Some bottles are red label, others are black label, but they all show up in scenes here that warn of trouble brewing. Let this be a lesson to you: When you see a Johnnie Walker bottle in a Bollywood film, trouble is not far behind.

Now just LOOK and how lucky this shot is!  It includes BOTH the Johnny Walker bottle and a threat of the tight slap in the same shot!  These of course are two of the things I track in all Bollywood films, so for this reason, I say Awaargi is a classic, because I really don’t take a Bollywood film seriously until I see a tight slap, or at least the threat of one, and a bottle of Johnnie Walker.

Advertisements

Read Full Post »

I love a good orphan film, and there’s not much more I can say about Ram Jaane than hasn’t already been said so well by Fortune City and Post Punk Cinema Club, but I can show you some of the parts that I really enjoyed.  Just look at the cool movie poster from the film with bloody fisted, red headband wearing SRK and I think there’s ample evidence that this is a good film.

Ram Jaane (1995) translation: “Ram Knows” or “God Knows”) is a 1995 Indian Bollywood movie directed by Rajiv Mehra about an unnamed kid (portrayed by Shahrukh Khan) who grows up to become a gangster. He uses the name Ram Jaane after meeting with a priest who in response to the kid asking about his name said “Ram Jaane” (God knows). The movie ranks the 8th highest grossing Hindi movie of 1995 and is also the fourth time Shahrukh Khan is playing a negative role after BaazigarDarr and Anjaam. (source)

So here we start with a feisty young street lad, Ram, who meets his childhood companions who he continues to befriend into adulthood.  Prior to being named Ram, short for Ram Jaane, he was known as Footpath.

Eventually he becomes officially known as Ram Jaane.

He’s a small time hustler with lots of style, the bad boy you can’t help but love.

Sometimes his goonda living and dacoitery catches up with him and he lands in the clinker, and he suffers and bleeds from the mouth, which is something that I firmly belive King Khan does better than any actor!  Dekh:

One day I’ll do a post on a collection of SRK screen captures from various films where he bleeds from the mouth. Devdas would have some good mouth bleeding  material, na?  The story has the love triangle plot between the 3 life long friends.  After a bit of jail time, Ram reunites with his childhood pals Murli (Vivek Mushram) who helps the street kids, and Bela (Juhi Chawla).

Ram falls for Bela, but realizes that his pal Murli also loves Bela, or is it Bela who loves Murli, details.  Either way, Ram Jaane becomes a tad jealous and insecure as a result of this situation.  He begins to question his self worth.

Ram eventually is overtaken by what the viewer may think is blind rage and he roughs up Bela, and eventually gives her a tight slap to the face, which he immediately regrets.

BUT, but, but did he hit her out of a jealous rage? Did he hit her because of his inability to soothe his own psyche independently of his love object?  Nahin!  As it turns out he hit her out of love, because he knew his friend loved her and by hitting Bela she would turn to Murli for love.  Problem solved!  Hey, I’m not saying it’s a good idea, but it worked.  Now clear your mind from the disturbing image of SRK’s character being violent with his love interest, and enjoy the title track from the film Ram Jaane with playback singers,  Alka Yagnik,  Sonu NigamUdit Narayan, and music by Anu Malik.

A while back I did a post on B.Rohrer’s SRK Fantasies in which the artist pays tribute to SRK in a series of creative pieces.  Recently I was lucky to run across another such creative fan on youtube and Breaking Free of the Box has taken things to a whole new level with this video tribute to Ram Jaane.  How can my humble collection of screen captures from the films measure up to the devotional nature of Breaking Free of the Box‘s work? It can’t, so now, I’ve saved the best for last so sit down and get ready to be entertained.  In the words of Breaking Free of the Box:

Here’s a miniature tribute to Shahrukh and Juhi . . . Let’s hope that someday they make another romantic film as intense as their earlier ones. . . Enjoy!! (source)

Did you notice the Central Jail on the mini set?

To wrap things up neatly as Bollywood so often does,  let’s take a moment to empathize with our film’s orphan:

Let’s now go on to be uplifted by the orphan, who has been enlightened through his suffering, only to go on to inspire us all!  Jai Bollywood wisdom:

P. S.  Due to heavy international pressure from the blogging community, and to avoid further mutiny from blog commenters, I must make mention of SRK’s style of wearing a suit jacket without any shirt underneath (think of the ring around the collar!) in the film and link in the song Pump Up the Bhangra.  Thanks readers for keeping me on my toes! Now pump up some bhangra!

Read Full Post »

Fiza (2000) is concisely described at IMDB here: In 1993 Fiza’s brother disappears during the riots in Mumbai. In 1999 Fiza is tired of waiting and goes looking for him. But there’s a little more to it than this, since when he’s gone he becomes a TERRORIST!  And this makes me think, can I write the word terrorist without being put on some kind of a watch list?  I’ll let you know.  I suppose the movie’s poster hints at what happened to the lost brother.

Fiza (Hindi: फ़िज़, Urdu: ﻓﻀﺎ) is a 2000 Indian film written and directed by Khalid Mohammed.  The film stars Karisma Kapoor, Hrithik Roshan and Jaya Bachchan. Although the film failed at the box office, it was well acclaimed by critics. Originally Amitabh Bachchan and Shahrukh Khan were supposed to have cameo appearances, but their scenes were removed due to considerations about the length of the running time. The film is about Fiza (Karisma Kapoor), whose brother, Amaan (Hrithik Roshan), disappears during the 1993 Mumbai riots. Fiza and her mother Nishatbi (Jaya Bachchan) desperately hold on to the hope that one day he will return. However, six years after his disappearance, Fiza, fed up with living with uncertainty, resolves to go in search of her brother. Driven by her mother Nishatbi’s fervent hope and her own determination, Fiza decides to use whatever means she can—the law, media, even politicians—to find her brother, which brings her into contact with various characters and situations.  When she does find him, to her horror she sees that he has joined a terrorist group!!!!! (source)

One of the first gorgeous songs in the film is Piya Haji Ali by A.R. Rahman (who will be embarking on a world tour this year) which plays as we see the stunning views of  Haji Ali Dargah Mosque in Mumbai. All the music from the film is composed by Anu Malik.

The Filmfare for Best Actress went to Karisma Kapoor, and Best Supporting Actress went to Jaya Bachchan for their performances in Fiza. I always enjoy the intensity Karisma Kapoor brings to her characters, and for my tastes, the more hysterical the better!  Kapoor has plenty of opportunities to be her most animated and outraged best in portraying Fiza.

Fiza is fietsy and surly as it is, but she’s put on edge even more than usual since the ’93 bombings, and the fact that her brother has mysteriously vanished.  Her mother (Jaya) processes her grief over her missing son differently than Fiza and she’s trapped somewhere between denial and faith, but Fiza’s frustrations are manifested in her acting out more than is acceptable for a nice Muslim girl.  Her mom gently warns her about this…

Fiza sometimes goes out to the club and on one occasion she seems to attempt to pick a fight through a dance. It’s been a while since I’ve seen the film, but I’m sorry to report that I think this was a girl fight over a guy.  I hate to see the ladies stoop so low, but hota hai.

Here she is in the club about to show her dance/fight moves. It’s like she’s a hybrid Capoeira master, Bollywood style. It’s one of those item numbers that makes you think What on earth am I watching and why? In other words the type I love most! Not a lot of people know this, but I choreographed this number:

Fiza has a fiery personality as it is, but too often she is pushed to the limit and her very sharp tongue and tantrums are justified.  There are some scoundrels who follow her making lewd comments and generally sexually harass her;  as they say in India they are eve teasing. Isn’t that a crazy term, twisting the fault back to the woman?

Idiots!  They go to a further level at  taunt her with threats of throwing some acid at her.   Look how casually these n’er do wells toss up the acid bottle here:Well, boys will be boys afterall, (kidding) and nobody messes with the Fiza, and she just snatches the  bottle of acid, taking control of the situation!

If Fiza can speak her mind in the face of extreme harassment, have cool nightclub dance challenges, can’t she go to infiltrate some top-secret terrorist group to try to find her missing brother? YES SHE CAN! So she sheds her salwar kameez and puts on her polar fleece jacket, some acid wash jeans, and her backpack and heads Kashmir or where ever they train terrorists, to handle things! Does she have time to buy a puppet?  NO!

After slipping on her high waisted, acid wash jeans, Fiza happens upon Shusmita Sen grooving out to Mehboob Mere, with playback singers Sunidhi Chauhan and Karsan Sargathia.  I was listening to  Curry Smuggler’s podcast last week, and they made reference to the film, which reminded me that in my ever-growing backlog of movie screen caps, I had several images from Fiza.  This was reminder enough to help get to posting about it. It’s the eclectic mash-up of  Mehboob Mere with Slave 4 U by Britney Spears (which was based on Nasty Girl by Vanity 6 ) that reminded me to do this post.  You can find that HERE: episode 2 track 4.

Fast forward to find that Fiza locates her radicalized brother outside of a gift shop.

Fiza brings her brother back to Mumbai, but he’s different, sort of stressed out and tense since he’s an undercover terrorist! Mom tries to help him out by taking him to a relaxation/friendship group in the park called the Ha Hi Hi club, lead by Johnny Lever. I think a better naam for the club would have been The LOL club.

I hope you’ve enjoyed some of the more peculiar screen caps I found from Fiza and I’d love to hear about your impressions and memories of the film.  I will always take a screen cap when I see the word melodious, so I’ll leave you with this one from Fiza:

Read Full Post »

Yaar!

I watched Lajja(2001) (translation: Shame) and got carried away with the screen capping knowing I must do a post.  Yet what to post when I see the wonderful bloggers have already said it so well?  You know I specialize in the more superficial enjoyment of all films, so I’ll share my likes here by showing some photos and focusing on the item numbers, but please go and see the great reviews and thoughtful insight on Lajjaat the post punk cinema clubUpperstall, Filmi Geek and at philip’sfil-ums.

lajja

Starring as pictured above Manisha Koirala (Vaidehi); Madhuri Dixit (Janki); Mahima Choudhary(Maithili); and Rekha(Ramdulaari).  All four of the woman stars have a form of Sita for their name.

Epithets: In common with other major figures of epic literature, Sita is known by many epithets. As the daughter of king Janaka, She is called Janaki; as the princess of Mithila, Mythili or Maithili; as the wife of Raama, She is called Ramaa. Her father Janaka had earned the sobriquet “Videha” due to his ability to transcend body consciousness; Sita is therefore also known as Vaidehi (Vaidehi Vaydehi, or Vaithegi) (Sanskrit: वैदेही)). (source) Thanks to Philip’sfil-ums, I know that Ramdulaari (Rekha’s part) tranlates to Ram’s darling.

 

lajja.menThis is a girl power film, and unfortunately there’s certainly large amount of misandry, (and misogeny, go figure) but worry not since there are some super male heros played by the always satisfying Anil Kapoorand Ajay Devgan to help tip the scales back in the favor of good men. Even super bad guy played by Jackie Shroff is redeemed by movie’s end. The film opens with this statement by the director:

lajja.santoshi

The music numbers covered here are all written by Anu Malik. Choreographer Ganesh Acharyaputs together 3 wonderful dances which serve to hold the sometimes disjointed picture together. Ganesh Acharya really does some provocative choreography with Urmila Matondkarhere, clearly showing life in the fast lane at an American nightclub. I did wonder a bit about the reason for putting those masks on the background dancers, but why not?  Jazz hands! Can one really ever get enough of the jazz hand?  I think not, so I had to share not one, but two screen caps of the jazz hand:

lajja.urmilaJazzHands lajja.urmilaJazzHands.2

lajja.urmilaPine

Aa Hi Jaiye with playback singer Anuradha Srirampicturized on Urmila  Matondkar:

lajja.prestigeOur story starts with Vaidehi (Manisha Koirala) who finds herself married to a womanizing millionaire crorepati and living in the wicked west, New York City that is. You can see in the item number above the loose moral environment Vaidehi’s husband subjects her to. It’s all about the sex, drinking and money for her evil husband played by Jackie Shroff, but Vaidehi herself must keep up the family name.  Vaidehi makes her plea for a moral lifestyle and he won’t stand for it and ships her back to Hindustan. Of course there’s retribution for the husband’s evil ways and after sending Vaidehi back to Bharat he gets in an auto accident, rendering him impotent. Ha! Well we see that even the very rich, amidst their leaded crystal laden mansions in the USA have problems!

lajja.cantfather lajja.cantfather.pregnant

But…lekin, there is a simple solution! Evil father ( Suresh Oberoi ) suggests:

lajja.cantfather.bumpoff

 

Meanwhile back in the safe arms of India, Vaidehi meet a bandit with a heart of gold played by Anil Kapoor, who is called a biscuit wallah and scoundrel here:

lajja.biscuitwallah

In order to hide from her husband’s men hunting her down, Raju (Anil Kapoor)  and Veidehi crash a wedding and blend among the crowd.  It’s there they meet the bride to be Maithili (Mahima Choudhary)and meet her snobbish in laws. Look at Maithili’s sweet mother (Farida Jalal) be snubbed in her gift offering:

lajja.sari

lajja.sari.benares lajja.sarirejection

lajja.gulshanfakejohnniewalker

The bride has an admirer who I thought tried to imitate yesteryear actor Johnny Walker. The second great item number is Saajan Ke Ghar Jaana with playback singers Alka Yagnikand Richa Sharma, picturized on the lovely Sonali Bendre:

 

lajja.sonali lajja.sonali.4

lajja.sonali.2

Eventually Vaidehi makes her way to another safe haven, where she meets Janki (Madhuri Dixit ) who is an actress. Her first exposure to Janki is her acting out a seen on stage from the 1960 epic Mughal-e-Azam .

lajja.madhuriRetro

lajja.madhuriRetro.2

How can you not adore Madhuri?  The third item number is Badi Mushkil with playback singer Alka Yagnik,picturized on Madhuriand Manisha:

lajja.madhuri.dance.3

lajja.mads.manisha

That’s all the fun we get because Janki finds herself pregnant out of wedlock and her fiance is made to question her virtue by her Ravana-esque manager.  So when she’s doing her staged performance of Ramayana, she asks why should Sita  have to do the trial by fire to prove her virtue, why not Ram?

lajja.Ramayana

Backstage she continues to share what’s on her heart and mind:

lajja.Ramayana.aftermath lajja.Ramayana.aftermath.2

lajja.question

Now that’s a great question, but I guess she forgot she was in India. It’s more than just an elephant in the room, it’s the elephant in the country.  The aftermath of the big question about equality has predictable results in a man’s world:

lajja.slut lajja.slut.2

lajja.zoo

The crowd beats Janki and as a result she miscarries.  Infuriated, Vaidehi goes to confront the evil, gossiping, lecherous pervert manager of Janki and get a load of what she says:

lajja.veil

Yeah!  She said it! Vaidehi escapes that mess and finds yet another safe haven with  Rekha‘s Ramdulaari. Do you see how in Rekha’s world they keep it real, cow dung patties drying on the wall.  Now that says “village!”

lajja.34servedie

And while I speak of cow dung patties, here’s a photo I took of some I saw on my trip to India:

India.08.09 1174

Back to Rekha and Manisha and their suffering:

lajja.35appreciate lajja.36appreciate

lajja.33moustache

Another hero that comes to Vaidehi’s rescue is the super human Bulwa (Ajay Devgan) who handles dacoits on a train as well as the evil town leader Gajendra( Danny Denzongpa ). Now Bulwa has held a grudge ever since the Gajendra boiled Bulwa’s moms hands in oil.   This resulted in Bulwa amputating one of Gajendra’s arms back in the day, which of in turn caused Gajendra to hold a grudge against Bulwa.  Years pass and Bulwa returns for another confrontation and Gajendra whips off his pashmina to reveal that arm he’s been missing for years:

lajja.39amputation

 

Amputations are one of those things I look for in a Bollywood film.  Nothing says revenge like an amputation. Bulwa even commits a double arm amputation on another scoundrel.

lajja.40amputation lajja.40amputation2

 

Bulwa is once again to the rescue when Vaidehi’s evil  NRI husband catches up to her. The sword wielding hero is ready to chop off her husband’s head, but to Bulwa’s horror, she stops him:

lajja.38worstenemies

lajja.38worstenemies.2

Well Bulwa does have a valid point there Vaidehi, hai na?

Here’s one more screen cap to show what a bad-ass Bulwa is:

Since I’d like to end on a positive note, feast your eyes on the ever beautiful Madhuri:

lajja.madhuri.dance

lajja.madhuri.dance.2

If you’ve seen Lajja, tell me what you thought.

Read Full Post »