Feeds:
Posts
Comments

Posts Tagged ‘O. P. Nayyar’

Dosto! Sometimes I love a movie so much that I could post so many screen images and videos from it that it would amount to having you see the entire movie. Such is the case with Naya Daur (1957). Just look at these swell images and I know you will understand my excitement:

With images this exciting and beautiful, imagine how enjoyable it was to see the entire movie. I’ve already posted about Naya Daur here before, but I’m not through. I loved Minoo Mumtaz and Kumkum pictured here in “Reshmi Salwar Kurta Jaali Ka” from this classic film. This is another spectacular song by O. P. Nayyar and lyricist Sahir Ludhianvi. The playback singers are Asha Bhosle and Shamshad Begum, who is said to be one of the first playback singers in the Indian film industry. “Shamshad became a national rage between the 1940s and mid-1960s rendering songs in her nasal voice, which helped her carve her independent–and till date unchallenged–niche in the world of music.” (wikipedia)


Thanks to oldbollysongs for posting this great video! 

Reshmi Shalwar Kudta Jali Ka from Naya Daur (New age) a Bollywood Classic song from an excellent movie re-made in color version. This song is brilliantly sung by Shamshad Begum. Naya Daur is a 1957 Indian drama film starring Dilip Kumar, Vyjayanthimala, Ajit and Jeevan. Originally filmed in Black and white, the film was colourized and re-released on 3 August 2007.

Lyrics in Hindi, and if you find them in English or want to translate them, please post.

Read Full Post »

nayadaurcrop.jpg

WOW! I saw the classic Naya Daur (New Age) this week and LOVED IT! It’s a drama of man vs. machine. I threw out every machine in my house after seeing it, but then I went out and replaced them all when I understood, if used correctly and without taking away human dignity, they’re OK.

Naya Daur is a 1957 Indian drama film starring Dilip Kumar, Vyjayanthimala, Ajit and Jeevan. The film is set in post-independence India where Industrialization is slowly creeping in. nayadaurposter.jpgThe focus is on Tangawallahs who earn their living transporting people from place to place on Tangas (horse – carts). Their livelihood is threatened when the son of a rich landlord (Jeevan) begins operating a bus service in the town,which he subsidizes heavily with the sole intention of first driving the Tangawallahs out of the down and then making profits. Dilip Kumar plays one of the Tangawallahs who petitions the landlord over this injustice.Then, Jeevan’s character proposes a competition to decide which service is the best – The Bus or the Tanga? It is then decided that there will be a race between both the vehicles. The highlight of the film is definitely the heart stopping final race where the underdog wins and how? (wikipedia)

Check out what upperstall has to say about this movie. There’s also an official website since the 1957 film was colorized and re-released in all its glory in July, 2007. The fancy re-release of the classic has a supplementary disc where you can see Yash Choprā interview the film’s director, his brother, B. R. Chopra, who he calls, “bhai sahib” in the interview, which I loved. So formal! He even wishes his brother the oh so Indian, “All the best!” at the end of the interview. I’d love to interview my own brother and call him brother sir, he’d be so confused. Anyway, the supplemental disc has lots of nice tidbits, like Yash Choprā saying, “43 years ago, a time when people made films with their head and hearts and not just with calculators in their hands.” B. R. Chopra laments that “today’s artists are business men, not so much passion, artists only reworking the same story over and over.” B. R. Chopra speaks of hiring a large group of bangra folk dancers for the movie, worth every rupee I’d say. He also talksnayadaurasha.jpg about how Vyjayanthimala‘s role was originally intended for Madhubala, but her father refused her participation in the film for fear she’d romantically reinvolve herself with heart-breaker, Dilip Kumar. The musical launch segment has both Chopra brothers, Aditya Chopra, Vyjayanthimala, Dilip Kumar, and Asha Bhosle, all looking great in 2007!

The music in this film by O. P. Nayyar is spectacular! As upperstall writes, “The film is a musical triumph for OP Nayyar and lyricist Sahir Ludhianvi. Each of the songs in the film was a raging hit and won OP Nayyar the Filmfare Award for Best Music.” I especially liked the devotional song “Aana Hai To Aa” by playback singer Mohammed Rafi. This song offers that Bollywood wisdom that I love. Here are the lyrics in English, but I bet the Hindi is richer, more meaningful and more beautiful:nayadaurdelay.jpg

Come if you have to

There are no turns in the path

There is delay but no denial

Come if you have to

When you can’t solve your problems

Have faith in the Lord’s justice

He will resolve your problems

What you couldn’t do the Lord will

He knows everything that’s in your heartnayadaurtemple.jpg

The Lord knows your every condition

Your wishes are fulfilled without asking

Those whose hearts are pure get to take shelter here

This is the court where you get justice

He is the ultimate master of the world

Lyrics

We’re lucky enough to have BFC’s favorite remix artist, Dr. K Chaudhry post a version of the same beautiful song:

I’ll have to come back and post a bit more about this fantastic movie later.

Read what theBollywoodFan wrote about the film.

Read Full Post »