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Posts Tagged ‘Laxmikant-Pyarelal’

In honor of Beth Loves Bollywood’s international Khanna Family initiative to celebrate all film industry Khannas, Khanna-o-Rama, I would like to contribute a little write-up on Dayavan (1988).

 

It starts out with poor little orphan, Shakti Vellu, aka Dayavan (kid version of Vinod Khanna) ending up witnessing his dad being unjustly murdered by some corrupt police.  He has to flee his southern home and hide in Bombay for safety only to run into some punks on the seaside who try to beat and rob him.  During this fight, Dayavan runs into a little ruffian, Shanker (kid version of Feroz Khan), who is impressed by Dayavan’s fighting skills,  flair, generosity, piety, all that good stuff , which to me are the personality traits I want to believe the Khanna’s  (Rahul, Akshaye, and Vinod) posses in real life, don’t you?  OK, real life, whatever, back to the movie.  Dayavan sets Shankar straight about his true inner badass nature, for within the composed orphan, lies a heart capable of murderous rage with he witnesses injustice!

I am too lazy to get into retelling you the plot of the film, so here’s a synopsis to suffice and then I’ll skip to the parts I liked best.

After having witnessed his dad being killed by the local South Indian police, and being orphaned and homeless, Shakti Velhu develops a hate, and distrust of the police in India. He is befriended by another homeless boy named Shanker, who asks him to accompany him a slum in Bombay, where they live with a kind-hearted Muslim named Karim Baba, and his daughter, Shama. This is where Shakti and Shankar spend their childhood. When they mature, they take to petty crime. Here too, Shakti witnesses police brutality and atrocities, especially at the hands of sadistic, alcoholic, and womanizing Police Inspector Ratan Singh. When Karim Baba is arrested, jailed, and found hanging by his neck in police custody, Shakti hunts down Ratan Singh, and kills him in broad daylight in front of the several hundred people. An investigation is launched, but no one comes forward as a witness. Thus Shakti gets his reputation as a Don with a good heart viz. Dayavan. Shakti marries local prostitute, Neelu, and has two children, Suraj and Sarita. He becomes even more powerful and influential all over Bombay, and his working partners are powerful criminal dons who have ruled over Bombay for eons. Shakti eventually replaces these dons, and becomes Bombay’s only Don. This creates enemies for him and his family, but he believes since he has not really done any harm to anyone, he and his family will be safe. It is this belief that will take a heavy toll on his life and that of his family, when the truth dawns that he, himself, is responsible for being kind to a man, who will ultimately bring forward ruin to the Velhu family. (source)

Fast forward from their childhood to adulthood still in the slums, think Slumdog Millionaire, except in this case the two guys stick together and have a life long bromance.  Check out one of their bromantic escapades here:

There’s the supreme policeman villain there to push Dayavan’s buttons, talk about a corrupt dude!  Inspector Ratan Singh (Amrish Puri!)  harasses the slum dwellers, especially a spicy widow played by Aruna Irani.

As a spinster, I’ve managed quite well for very long without a husband, Amrish-ji, I mean Inspector Ratan Singh.  When the evil cop is not harassing widow Aruna, he  lies about with the courtesans of the slums drinking hooch.

Enter Khanna hero, Vinod, who witnesses the harassment of the widow and breaks into a justice fueled fury, and executes a beat down on the inspector.

Haughtiness intact!  Yet another trait I image the Khanna’s have in real life: intact haughtiness under adverse circumstances.  Then after the severe police brutality takes its toll on Dayavan’s body, enter Shankar, to comfort him. Take in the splendor of the bromance:

How do you cheer up your buddy after an assault from a crooked cop?  A night out at the local brothel of course!

The tune I liked most from the film was Kahe Saiyan Teri Meri Baat with playback singers Ahsa Bhosle and Kavita Krishnamurthy (music by Laxmikant-Pyarelal, lyrics Aziz Qaisi). I couldn’t find the video separate from the film, so to see it go to 2:30 in the clip below to see the greatness.

Shankar teases Dayavan about his lack of experience with women and arranges for him to have an overnight stay in a room at the brothel, if you know what I mean.  Dayavan uses the room to sleep off his night of drinking and is awakened, as is so commonly the case, by the innocent prostitute, who is quietly, yet intensely studying for her exams.  He gives her money to continue her studies, and leaves her untouched.  Now doesn’t this remind you of the class and flair of what you’d imagine the Khanna’s to be like in real life?   Anyway, I suppose I mentioned just then that Madhuri Dixit was in the film  and I found it a waste of her talent  since she really didn’t dance too much and her role was too brief.  Kya waste hai! Here’s a taste of her dancing in a Holi number.

I don’t like seeing other people kissing, since it’s so private, so Hindi movies are perfect for me.  Dayavan has a famous kissing scene between Madhuri and Vinood,  in fact if you google videos for the film, the kissing scene is most prominent and you can see it here if you’re inclined.  If you watch it please make note of how unconvincing Madhuri’s hands are in the scene, which reveals to me she was not comfortable filming it. I mean wouldn’t most women have more gusto in their grasp if sharing a moment with Vinod Khanna?

Let’s end with a few more memorable screen captures & subtitles from Dayavan:

Double point for me here, since the screen cap includes a subtitle with dacoity (which is even better than dacoitery in my book) and a lone bottle of Johnnie Walker black label, which is obviously better than red label, isn’t it?  Look at Vinod Khanna’s intensity here when someone comes to him to get justice: Did I mention that Feroz Khan is in the movie?  Seems like I’ve ignored him, but here he is, handling business!

And handing out a little vigilante justice, which I know chandelier connoisseur Shweta will enjoy:

During the course of the film, Dayavan’s daughter  (Amala)avoids him due to his illegal work, and ironically she marries a police officer  played by Aditya Pancholi,  who is cheated, since she declared herself an orphan.

I don’t think there’s anything wrong with declaring ourselves orphans now and again. Dayavan is a remake of the Tamil film called Nayagan (1987).  Have you seen the movie in its original Tamilian form? I want to see it now in its pure form!  Since I’ve  focused on Vinood Khanna here,  I must throw a bit of attention on his sons, Rahul and Akshaye, to balance out my Khanna-o-Rama contribution.  I will ask you the ask the  timeless question that Briyanshu posed: Rahul or Akshaye? HERE’S THE ANSWER.  Now I command you to click on this feast of Khanna-o-Rama blog posts to fulfill all of your Khanna Family desires.

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As part of Beth Loves Bollywood‘s international mandate,  7 days of 70’s, a week-long festival of any and all things 70’s from Bollywood, I offer to you my readers, Mera Gaon Mera Desh (1970) somehing I like to call Sholay Lite!  
 


This film is a delightful mix of  some of the 70’s most delicious masala staples: orphans, dacoits, bandits, dancers, damsels in distress, amputated limbs, music by Laxmikant-PyarelalAnand Bakshi as lyricist,  playback singing by Lata Mangeshkar and Mohammad Rafi, and starring Dharmendra, Asha ParekhVinod Khanna, Laxmi Chhaya, and Jayant.

Now let me take you on a visual walk through Mera Gaon Mera Desh.  We start with Ajit (Dharmendra) as a pick pocket, caught and put on the stand, explaining his fate to the judge and jury…

Ajit gets a chance after serving a light sentance to start over in a small village to where he’s been summoned by  a one armed Hawaldaar-Major Jaswant Singh (Jayant).  Ajit carries a coin that he flips to help him make major life decisions, and it flipped to the side that made him agree to go to the little town. But why?  Why would the one armed man want orphan?

Maybe to help him with some farm work.  That seems to be the reason. Then Ajit hangs out partying with the villagers, and Jayant’s character doesn’t like this and dekh what happens:

Such ugliness! Such mean words!  That’s the limit!  So he tells Ajit to leave, but then has to change his mind:

Enter bad guy, dacoit, and bandit extrodinaire, Thakur gone bad, Jabbar Singh! I’m telling you Vinod Khanna was delicious in this part.  Look at the sideburns and the scoul on his face. Hot!

So as it turns out, the one armed guy sought Ajit for the village (gaon) not for farming alone, but instead to take the lead in fighting off the band of dacoits who have long been terrorizing the villagers. Luckily Ajit finds a double agent in Munnibai (Laxmi Chhaya) who was sent by Jabbar to find out about Ajit, but ends up falling for him instead.

Munni does her spy duty, finds out what’s going on in Jabbar Singh’s dacoit camp and reports back to Ajit.

Ajit informs the authorities, Munni’s mom get’s upset at her indiscretion because like all villagers she rears the wrath Jabbar Singh and his bandits.

In the song, Hai SharmaonLaxmi Chhaya‘s character alerts Ajit to what disguises the bandits are wearing to the fair so that he can catch them.


After some of his men are captured by police at the full moon fair, Jabbar Singh suspects a traitor among his flock and conducts a threatenging interrogation fitting a bandit.

Thing get a wee bit misogynistic.


Meanwhile, back in town, Asha Parekh’s character, Anju, freaks out when Hawaldaar-Major Jaswant Singh (one armed guy) is killed by the bandits. I love it when Asha breaks down. She of course needs a tight slap to the face in order to get a hold of herself.  To make matters worse, now poor munni is thought by Ajit to be responsible for the bandits’ attack on the gaon village.  So she’s once again subject to some man handling, and once again, things get just a tad mysoginistic.

Oh no he didn’t!  Ajit can verbally abuse her, choke her, shake her, and shove her down into the river two times, but what sets her over the edge is that he doesn’t understand that she did not betray him, and that she loves him!  He pushed her over the edge in so many ways, and now look at the face of a woman scorned! DEKH! LOOK AT IT!

Jabbar Singh cointinues with his dacoitery and kidnaps Anju to lure Ajit into his evil den, where he proceeds to tie them up for torture.  Any chance I get to screen cap a scene with the word enmity in it I do, so here:

NOW here is the scene and song that compelled me to see this film in the first place: Maar Diya Jaaye Ya Chhod Diya Jaaye, Bol Tere Saath Kya Sulook Kiya JaayeRaj and Pablo, the charming and lovely radio hosts of BBC Asian Network’s Love Bollywood,  posted this video from the film on their Facebook page. It starts off with Dharmendra tied to a pole getting slapped in the face, and that was only the beginning of this outlandish number, featuring him, Laxmi Chayya and Asha Parekh.

Spoiler moral message ending alert! In the end the lesson is learned: The village must take responsibility to self govern and not rely so heavily on the government, meaning it’s a joint effort, but this effort must first begins at the grassroots level.  As it’s said it takes a village to raise a child, and in this movie, it takes a village to eliminate a dacoit. So now that title makes more sense: Mera Gaon Mera Desh = My Village My Country.

EXTRA CREDIT:  Here’s why Mera Gaon Mera Desh can be called Sholay Lite

Since Asha freaks out so beautifully, I shall end on this note:

Check out all the other groovy 70’s week posts HERE and HERE.

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izzat

Izzat (1968) stars  Dharmendrain a double role playing brothers who don’t know they’re brothers until late in life. One is rich, the other poor; one dark, the other fair; one a land owner’s privileged son, the other an illegitimate  hard working student who’s just been orphaned.  There are no illegitimate children, only illegitimate parents!..doesn’t Amitabh or SRK scream that out in some film, maybe it’s Amitabh in Lawaaris?  Tell me if you know.  Fate brings the Dharmendrai together and wacky misunderstandings occur and vendettas are settled.  Here’s a plot summary courtesy of  the prolificrAjOo, but skip it if you don’t want spoilers.

After completing his college, dark-skinned Adivasi Shekhar returns home and finds that his mother, Savli, has passed away. Distraught, he is consoled by Father Abraham, who also tells him that his mother had an affair with wealthy Ramgarh-based Thakur Pratap Singh, who refused to marry her even after she became pregnant. Shekhar decides to avenge his humiliation and sets forth to expose Pratap. Upon arrival in Ramgarh, he finds that he has a fair-skinned look-alike half-brother, Dilip, as well as a sister, Neelu. Dilip meets him, hires him as an office staff person, and asks him to impersonate him in order to meet Deepa, the only daughter of wealthy Vinodbabu, and Shekhar agrees to do so. Shekhar meets Deepa and both are attracted to each other. Shekhar decides to tell her the truth about himself, and returns to Ramgarh. Once there, he finds history repeating itself as Dilip is in love with an Adivasi belle, Jhumki, but is refusing to marry her. Written by rAjOo (IMDB)

At the beginning of the film Shekhar who I will refer to as dark Dharmendra, since in the film they make a big deal about this dark skin, finds out about his mother’s tragic past, and his parentage.  That Thakur (Balraj Sahni) kaminey found his dark skinned, low caste villager good enough to sleep with, but once she was with child, he coldly accuses her of wanting his lakhs. Thakur is wrong, all she wants is his love, and ek chutki sindoor and blessings of the goddess.izzat.$

"Ek chutki sindoor!"

"Ek chutki sindoor!"

So Shekhar works himself into the fancy home of his father and finds that he’s got a fairer skinned half brother.
izzat.vendetta izzat.double Shekhar’s got some killing on his mind, but he also finds himself at a party.  What to do? Dharmendra sings at  the party, as Shekhar and they all think he’s his look alike rich brother,  Dilip.  Please take note of the bollywood balloons that decorate the party:izzat.balloonI suppose I should have been excited by Dharmendra and Tanuja’s performances  here (yawn), but for me this was  Jayalalitha‘s film.   It was the first time I’d ever seen her.  She plays a super spunky mountain girl, who likes that fancy Dharmendra character, fair-skinned Dilip, but he’s socially out of her reach, being wrong caste for her to desire, let alone acquire.  She can’t possibly marry up…or can she?  Take a good look at her, I think she can:
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The live wire  Jayalalitha of Izzat transformed herself into a  real life politician. It was the first time I’d seen her in a movie, and she was a Tamil star, so her part in a Hindi film was not the norm.  She also did some playback singing.

Prior to her venture into politics, she had a successful career in the Tamil film industry as an actress. She acted in the English language movie “Epistle” released in 1961 produced by Shankar Giri, son of former president of India Dr. V.V. Giri. Chinnada Gombe, her first film (in Kannada) was a major hit. Her first Telugufilm Manushulu Mamathalu made her famous. In 1972, she was honoured by the Tamil Nadu government with the award Kalaimamani. She has acted opposite Dharmendra in the Hindi Movie named Izzat. Her last film was Nadhiyai Thedi Vandha Kadal in the year 1980. (source)

Now that I know she’s an over achiever, I’m a bit suspicious of her, but after her performance in Izzat, I’d vote for her, no problem.  On a side note, I would be an extremely reckless voter in India, for that very reason. “Jaylalitha is on the ballot!?  She was soooo cute in Izzat, and what a dancer!” I’d check that ballot, not even caring about her politics simply because she was so cute in that film.  Good thing I can’t vote in India. In her role as Jhulki, she’s fearless, not afraid to love:

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She’s not afraid to defend herself against a dirtball goonda/thug/dacoit. This scoundrel has lusted after her and when he tries to forcefully move in, she delivers a tight slap to the face! Go girl!

izzat.slapI wasn’t able to find a version of the item number featuring Jayalalitha dancing with about 30 other women to the music Laxmikant Pyarelal and a lavish set, but I did find it as part of a set clips of the full movie uploaded on youtube. Now THIS is what I call an item number:

The beginning part of this number, which is not in the above clip can be seen about 8 1/2 minutes into this link.  This number was so lavish that I needed to screen cap some of it for the world to see.  Look how fantastic Jayalalithaa looks here.izzat.item.7izzat.item

Eventually that nasty Thakur gets his just rewards.  It was only a matter of time before karma catches up with him.izzat.tribalsWell, tribals will be tribals, so easily incited and ready to light a torch for justice.izzat.riotThough she had a small part, I was very taken with Laxmi Chhaya’s performance as a servant.  She’s a real mess here, but very hot, so I suppose she’s a hot mess. I just love the colors here, from the walls to her sari, to her make up. Fantastic!izzat.maid.2

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And as a nice touch, there was a cute little statue of Jesus, in front of some stylin’ flagstone.  I like my Jesus with flagstone, sort of how I like my coffee with mile and sugar. Now I’ve got to see more of Jayalalitha, so looks like there will have to be some more Tamil, Telegu and Kannada films are in my future. Now head over to Memsaab’s blog, to read her impressions of Izzat.

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deshpremeeposter

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The word association I have with leprosy is Mother Teresa, India, and Jesus. After reading this,

Many doctors view leprosy as a scourge of Biblical times or faraway places, but there are still thousands of U.S. cases, with more diagnosed each year, experts say (source)

maybe I’ll associate leprosy with the U.S. now too. This map shows that I wasn’t too wrong to associate leprosy with India. The WHO has all the latest leprosy statistics HERE.

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deshpremeeinquilabjesus2With all the Bollywood movies I’ve seen, you’d think I would have run across a leper sooner than now, but it took Desh Premee (1982) to expose me to my first Bollywood leper, Shamila Tagore, as Bharati. Finally! And speaking of me associating Jesus and lepers, Amitabh breaks out with the most Jesus looking parts in this film. Just look at him suffering here. —————>

If that doesn’t remind you of Jesus and his crown of thorns, I don’t know what will. I know with Christmas right around the corner it’s baby Jesus time of year and not crown of thorns Jesus time, but still, I’m technically working in a Christmas theme.

Since it’s a Manmohan Desai film, I’ll save my self a lot of explaining and refer you to this SYNOPSIS. An extra bonus to the film is Shammi Kapoor playing a lovable, chunky Sikh. You can see a bit of Sikh Shammi in this number.

More and more I’m loving Kader Khan as a villian. Have you seen him in Tawaif? In Desh Premee Khan plays Sher Singh who snatchs Bharati from her freedom fighter, patriot husband (Amitabh) as part of a revenge plot. Sher Singh lusts after Bharati for years, yet she remains faithful to her husband who believes her to be dead. Bharti is repulsed by the scoundrel and tells him:

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Careful what you wish for Bharati! Evil Sher Singh puts Bharati up in a filthy rat infested hovel and she comes down with leprosy. I don’t think leprosy is passed by rats, but you get the point watching the scene in her new home when a rat crawls out of a hole in a wall: Rat = dirty = bad = leprosy. As a means to depict how depraved Sher Singh is, he’s shown frolicking with trashy goris. Look! One gori is drinking, the other is smoking, while one clutches his leg. Dirty! Bad!

When I see them, I lose track of the film and am instantly plopped into reality and think stuff like, “Are these German toursists? They look German. How did they get these parts? I wonder why they were traveling in India? Are they friends?” OK, back to the film. After years Bharti returns, in the midst of Sher Singh’s debauchery. He thought she’d never come around to his advances and that this is finally his lucky day!

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Then she says what he’s dreamed of hearing her say…

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HA! Tricked! Take THAT Sher Singh!

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deshpremeeshirt1Have you seen leprosy in any Bollywood movies? I would also like to include the image of another one of the bad guys from the film, just because I wanted to show the world his shirt and scarf.

OK, to end on a happy note, forget about the leprosy and check out Hema Malini and Amitabh in blackface performing Gori Nahin Hum Kaali Sahi, with music by Laxmikant-Pyarelal. The playback singers are Asha Bhosle and the song’s writer, Laxmikant. This video either needs no introduction or a really big one, I can’t tell.

If you click on the video and it says embedding disabled, just click it again to get there.

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Elephants are my friends! I was inspired after seeing this elephant. Don’t you want a pet elephant now too? Haathie Mere Saathie is a cute little movie and was the first movie I saw that starred Tanuja. It’s an orphan movie, which always makes for a good plot.  Raju and his elephants were so misunderstood!  Over at Memsaab’s blog, haiku has been dedicated to this fine film.

Haathi Mere Saathi  (1971) is an Indian film and a favourite with children in the early 1970s. The movie has a Disneyesque appeal with an Indian twist. Orphaned Raju, (Rajesh Khanna) in the company of four elephants, has to perform with them at street corners, in order to keep alive. Slowly he amasses a fortune, and is able to build his own private zoo, housing tigers, lions, bears, and of course the four elephants. He treats all the animals as his friends. He meets with Tanu, (Tanuja) and both fall in love. Tanu’s dad, Ratanlal, is opposed to this alliance, but subsequently relents, and permits the young couple to get married. Tanu is unhappy with the amount of time Raju spends with his animal friends, and this causes some bitterness between them. Things do not improve when a child is born, as Tanu fears that one day the child will be harmed by one of the animals, and hence Raju is told to make a choice between his animal friends or his wife and son. (wikipedia)

Chal mere saathie and enjoy Kishore Kumar’s playback singing of the Laxmikant-Pyarelal tune, “Chal Chal Mere Saathi.”

Lyrics

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nigahencover.jpgI should have seen  Nagina (1986) first, which is reviewed very well here at the Bolly Blog, but what arrived in the mail was Nigahen: Nagina Part II (1989).  This crazy snake themed movie stars Sridevi, Sunny DeolAnupam Kher, and Pran.  As an extra bonus, occasionally we get to hear the magical voice of Amrish Puri from his look alike statue, but I bet in Nagina he was a lot more than a statue.  I especially enjoyed that Sridevi got to play her own daughter again in this film, just like she did in Lamhe. Stop over to Planet Bollybob for an excellent review of the film.

After the tragic deaths of his son, Ajit and daughter-in-law, Rajni, Raja Saheb decides to educate his grand-daughter, Neelam, in the city. Years later, Neelam has grown up and returns temporarily to their rural palatial home. Raja Saheb would like her to live there, and look after the business, but she refuses. Then she meets with Anand, and everything changes for her overnight. Both of them fall in love, and would like to get married. Anand is introduced to Raja Saheb, and Neelam is introduced to Anand’s mom, Shanti. Both approve of this couple and plans are set for the marriage to take place. When Neelam does not know is that Anand is not who he claims to be – but in reality was a snake kept in captivity by Tantrik Goraknath, who wants to possess a priceless diamond stone called “Mani”, and Neelam is the only one who knows it’s location. And Goraknath, unlike his mentor, Bhairavnath, has ensured that no one will stand in his way when he obtains the Mani. (by rAjOo at IMDB)

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The snake seems to possess Sridevi’s Neelam by doing this:

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Anupan’s character is a real jerk, and was the winner of the Best Male Wig Award, but he is no match for these powerful eyes:

nigahensridevianupan.jpg  nigahensridevi.jpg

Watch the snake woman Sridevi in “Khel Wohi Phir Aaj Ti Khela” with playback singer Kavita Krishnamurthy, and music by Laxmikant Pyarelal.  Is she more snake than woman, or more woman than snake?

 

Thanks to grotesk55 for the video.

Spoiler Alert:

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amarakbar25rishi.jpg Dosto, today I present you with the songPardah Hai Pardah from the 1977 film, Amar Akbar Anthony. I enjoyed this song so much I added 4 versions for you. At the Bollywood Food Club, we don’t really do true film reviews; why bother when there are already so many great bloggers out there doing it so well? So I refer you to Bollywood 501, Filmiholic, Filmi Geek, and Philip’sfil-ums for some great insights into Amar Akbar Anthony. I will simply deal with the more superfical and say that any movie that starts out with Pran and a suffering Nirupa Roy instantly wins my heart. I have to add that I liked the patches Anthony wore on his clothing and Akbar’s array of sheer colorful shirts. Amitabh’s Anthony made me proud to be a Catholic, and Vinood’s Amar made me yearn to be a Hindu, while Rishi’s Akbar had me praising Allah. I LOVED this movie. And in particular I loved Rishi Kapoor‘s performance in Pardah Hai Pardahas well as the voice of its playback singer, Mohammed Rafi.

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This is the kind of suffering I’m talking about! A blinded mother, not realizing she’s touching her very own son! Nirupa Roy suffers so well.

 

amarakbaranthony.jpgAmar Akbar Anthony (Devnagari: अमर अकबर एन्थोनी) is a 1977 Bollywood film about three brothers separated during their childhood who grew up in three different homes, adopting three different religions. The film was directed by Manmohan Desai and starred three actors, of them included Amitabh Bachchan (as Anthony Gonsalves), Vinod Khanna and Rishi Kapoor. Each of the three heroes had an affilitian with a heroine, which included Parveen Babi, Shabana Azmi and Neetu Singh. Nirupa Roy, Pran and Jeevan were supporting actors. The music was written by Laxmikant-Pyarelal. Kishore Kumar sang for Amitabh Bachchan, and Mohammed Rafi sang for Rishi Kapoor. The soundtrack was one of Mukesh‘s last soundtracks with Laxmikant-Pyarelal. Anand Bakshi was the was the lyricist. A ex-convict must flee his mob boss, leaving his family to fend for themselves. The ex-convicts wife in a fit of bad luck turns blind and inevitably his children are abandoned. They are adopted by a Hindu policeman (Amar), a Muslim tailor (Akbar), and a Catholic priest (Anthony). The Hindu raised son becomes a policeman in his turn; his Muslim-raised brother becomes a singer; and the last brother, played by Amitabh Bachchan, becomes a happy-go-lucky Catholic who lives on the edge of law. The boys meet again and their lives become entangled in an incredible twist of unlikely coincidences and furious action sequences interspersed with songs. (wikipedia)

So here are the video clips of the addicting tune, Pardah Hai Pardah:

 

1. Original version starring Rishi Kapoor, with playback singer Mohammed Rafi. It’s fun to know that he’s singing to Neetu Singh, who he married a couple years after this movie. I mean who wouldn’t marry him after this performance, hain na?:

Thanks to sikkbreman for the video. Makes me want to rush to a mosque!

 

2. Here’s a crowd favorite, from SaReGaMaPa Challenge, Amanat Ali. I especially like how he substitutes his own name in the “Akbar” part of the song:

I’ve already posted about my favoritism for the Indian singing talent search shows, so click here to see that and some more of Amanat. Thanks to shesthebest for the YouTube video.

3. Here’s Vinit Singh, another contestant from SaReGaMaPa Challenge:

Thanks to sachinscs for the YouTube video.

4. Here’s Irfan, from Star Voice of India. Not only is he great but how fun to see the movie’s real stars, Rishi Kapoor & Neetu Singh (I think that’s her) judging along with playback singers Alka Yagnik & Abhijeet:

Thanks to AmulStarVoiceOfIndia for the video.

 

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