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Posts Tagged ‘Karan Johar’

inneroutersrkinnersmoke The Inner World of Shahrukh Khan (2005) was sure a treat to watch.  If you haven’t already seen this documentary, I’m sure you’ve at least seen the many ads for it that run before you watch your Bollywood  DVDs, hai na?   It’s the first part of a set of documentaries, the second being The Outer World of Shahrukh Khan, which I’ll cover in my next post. The Inner World, by filmmaker Nasreen Munni Kabir, focuses on just that, SRK’s inner world, which is full of medical treatments for his back, spending time with his family at  Mannat, behind the scenes of Main Hoon Na, and lots and lots of smoking. I got second had smoke damage to my lungs from watching SRK in this film. King Khan has a true pyaar for his cigarettes!  He works hard.  He smokes hard.

The documentary titled: ‘The Inner Worldinneroutersrkinner1 of Shahrukh Khan’ is of 49 minutes duration and has tried to cover the snippets of star’s early struggling days to his reigning ones. The documentary starts with speaking of SRK born in a Delhi family in November 2, 1965. SRK was found be always an intelligent speaker and brought laurels to his college, Hansraj College. SRK completed his film television and Journalism degree from Jamia Milia Islamia. The film portrays struggling days in Mumbai, how he came to Barry John’s theatre classes, his mother’s death and then sister grew ill and the college romance with a Hindu girl, Gauri. Notwithstanding, Nasreen has done a wonderful job in keeping the viewers engrossed. Though Nasreen had earlier worked with Lata Mangeshkar, Javed Akhtar and Amitabh Bachchan, getting Shahrukh Khan to say ‘yes’ was quite an upheaval task. Firstly, SRK has a limited amount of time at his disposal and then SRK prefers privacy. But SRK ultimately gave in to Nasreen. Interestingly, Shahrukh later told that sometimes when he was clamoring for fame, he would have been anytime ready for a photo shoot or an interview. The documentary has been shot mostly on and off the sets of MAIN HOON NAA. Nasreen has traveled alongside SRK to his Delhi’s school days. The film traces moments of solitude as the king Khan prays for his back in his mother’s graveyard. Nasreen however ruled out any sparks of controversy to be any reason behind the documentary. She tried her level best to keep a clear picture of the person, but gave SRK enough time and privacy. SRK watched the film thrice before giving its approval and was in quite deep thoughts after watching it. SRK is a family-centric person and loves to be with his lovely wife and kids. The document comes to an end with Shahrukh’s birthday. Produced and directed the first television series on Indian cinema to be broadcast on UK channel 4; it surely is something that SRK’s fans would die for. (source)

There are some very sweet scenes with his family at their home, Mannat, celebrating diwali. Shahrukh explains that his son understands what he does for a living but jokes that his little daughter still thinks that he’s Aamir Khan.

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In case you decide to stalk Mr. Khan, his driveway and front yard in Bandra look like this:

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You can follow THIS LINK and as long as it lasts it will show SRK and his cute little beti and some scenes at Mannat that I’ve screen capped here.

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Khan’s back problems and treatment methods are covered.  He sees a doctor and physical therapist.

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He also sees an energy healer for his back pain. SRK even demonstrates his back massaging skills that he’s probably learned from his own treatments on his friend, director and choreographer, Farah Khan, behind the scenes of Main Hoon Na.

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One of the sweetest scenes for me in the documentary is Shahrukh’s trip back to the school he attended as a kid in Delhi.   The brothers are so happy to see him and SRK states that he felt so touched to be back in a place where people knew him before he was famous.

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The documentary did have one disturbing segment to me; Karan Johar fawning over SRK, giggling about how he would be so afraid to ever have Khan yell at him.  I recall Johar saying something like, “I just don’t know WHAT I’d do if he ever yelled at me.  I think I’d just start crying!  I’ve gotten a lot of help and advice from Gauri about how to handle Shahrukh and his moods.  When he’s angry, it’s best to stay away.  I would just never want him to yell at me!”  I wanted to get up and go through the TV screen and give Johar a tight slap to the face to snap him out of his fantasy.  I think he’d actually LOVE to have Shahrukh yell at him.  Then he could cry and hope that SRK would gently cradle him in his arms and stroke his hair.

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Alright Dosto, thanks for reading and check back for the next post which will be on The Outer World of Shahrukh Khan.

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Here to deliver Bollywood chugli is our favorite spunky correspondant, Suzi Mann, with her latest Bollywood Insider’s reports.

From November 7th, 2008:

Golmaal Returns makes UK Top 10 – Roadside Romeo Blues – Kat steals the show

Click on Suzi to view:suzimann11708

From October 31, 2008:

Kuch Kuch Haunting Hai – Dostana, Karan Johar on KKHH and Dostana

Click on Suzi to view:suzimann103108

 

I’d noticed that several of the Bollywood Insider reports posted in the past would become unavailable.  Then last week on once such post I was lucky enough to get a comment from Suzi Mann-ji herself:

Firstly thanks for posting our Bollywood Insider videos really appreciate the coverage given. Just to let you know we have contract terms of 30 days with youtube after this period the videos are removed. They are however available on MSN, Blinx, AOL, Bebo, My Space and a number of other sites independently. Many sites do still line them from youtube. BI is a weekly made for mobiles and online show therefore if you could kindly link it weekly that way you’re subscribers won’t miss out.  Enjoying the comments.

Kind regards

Suzi

How exciting to get the news about the best ways to link to the videos directly from Suzi herself!  And thanks to Suzi Mann for working hard to keep us all up on the latest Bollywood news!

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Today’s video is “Pretty Woman” with music by Shankar-Ehsaan-Loy, by playback singer Shankar Mahadevan, picturized on King Khan from the movie Kal Ho Naa Ho.  I’ll get to that later but let me give you a little background first.

This is a pivotal Bollywood movie for me because it’s partly responsible for my current addiction to the genre. I had seen Devdas along with Nandini and other dosto at the Walker Art Center in Minneapolis back in September 2003; the seed was planted. In the following years I saw Monsoon Wedding, Bend It Like Beckham, and Kandukondain Kandukondain. These Indian related movies swirled in my head a few years. Skip forward to August of 2006 and I’m looking at a Netflix page thinking, “Hey, I’d like to see that guy from Devdas in something.” I figure “that guy” is Shah Rukh Khan and put Kal Ho Naa Ho in the queue because it’s recommended. So I watch this movie and am stunned by how LONG it is! I’m disappointed that it’s set in what is supposed to be New York. Hey! This isn’t right, I wanted a real Indian movie set in India. Then I see this “Pretty Woman” scene and get that feeling you get when you’re embarrassed by someone, even worse that being embarrassed for yourself. But THEN the movie takes this turn that I never expect. Shah Rukh Khan is so dramatic that I’m sucked in. It has a love triangle, self sacrifice, and an emotionally wrenching hospital scene. So half way through, I accept it as a good movie and all I know is I want more! Then I saw Kuch Kuch Hota Hai, followed by Main Hoon Na. Then I watch Main Hoon Na again with Nandini and I sense another Bollywood junkie. It’s like SRK was a gateway drug to Bollywood. Next discovery is the pure cocaine of Amitabh, and the angry young man movies. HOOKED! I pick up a Hindi street naam of Sita-ji after watching Dance Dance, to keep it real. So the addiction begins! I stay with Bollywood, because it’s what I know, it’s safe. I believe that if I slip into Tollywood and Kollywood, and I’ve had a taste of the Telugu and Tamil scene people, it would be like taking crack, possibly meth. I have to stay away from Rajinikanth for now. And Lollywood would be like heroin, unmanageable. I need to stay as clean as I can, so it’s mostly Bollywood for now. I saw Nandini the other night, and we whispered a bit about Nollywood, careful to not let too many people hear, but knew to back off, it was just too dangerous. And we know that kal ho naa ho, but it’s still good to play it safe.

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Kal Ho Naa Ho (Devanagari कल हो ना हो, Nastaliq: کل ہو نہ ہو, English: Tomorrow May or May Not Be) is a 2003 Bollywood film set in New York City. It stars Jaya Bachchan, Shah Rukh Khan, Preity Zinta, and Saif Ali Khan. The film was directed by first-timer Nikhil Advani; it was produced and co-written by Karan Johar, better known as the director of the hit films Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham (2001). This movie resembles Dil Chahta Hai (2001) in blending Bollywood and Hollywoodconventions with high production values. While copyright violation has long run rampant in the Bollywood film industry, Kal Ho Naa Ho is notable for having licensed the rights to Roy Orbison‘s “Oh, Pretty Woman” for an extended musical sequence taking place in the streets in New York. Because of its familiar setting and music, accessibility to non-Indians, good production values, and respect for copyright, Kal Ho Naa Ho has been used to introduce Bollywood to markets where Indian films have been rare. Naina Catherine Kapur (Preity Zinta) is an angry young woman, for more than one reason. Her father committed suicide when she needed him the most, leaving Jennifer (Jaya Bachchan), his wife, to raise their children all khnh2.jpgalone. Lajjo (Sushma Seth), Jennifer’s mother-in-law, blames Jennifer for the suicide. Furthermore, Jennifer is unhappy because Lajjo refuses to accept Gia, a six-year-old girl whom Jennifer adopted, as her granddaughter. In addition, the restaurant Jennifer operates is faltering. The only factors that redeem Naina’s life are the toiling and tolerant Jennifer and Naina’s bumbling MBA classmate Rohit (Saif Ali Khan). Aman Mathur (Shah Rukh Khan), a happy-go-lucky man, arrives in Naina’s neighbourhood and soon changes everything with his contagious joviality and zest for life…(wikipedia)

And speaking of New York and India, our friend Brahmanandam, a.k.a. Tim, sent a great link to Indian restaurants in New York City; “A Passage to India,” by Matthew Fishbane. Click here to check it out the article published in the January 13, 2008 in the New York Times.

So here it is, “Pretty Woman”:

Thanks to nacromanser for providing the video.

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Watch Madhuri and SRK on Koffee With Karan:

I love the part of the interview where SRK quotes that line from that smokin’ hot scene “Come closer, closer, closer,” from Dil To Pagal Hai.

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