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Posts Tagged ‘Johnny Walker’

Mehbooba was released in 2008, but director Afzal Khan began filming in 1999.  There are a lot of reasons why the filming took so long to finally be released which you can read about HERE.

mehboobaThe film stars Sanjay Dutt, Ajay Devgan and Manisha Koirala in the lead roles. Set on a huge canvas and shot across three continents, America, Europe and Asia, with four different countries as the story’s backdrop, with New York, Budapest, Austria, Bikaner, Jaisalmer and Mumbai as the key locations, the film boasts of lavish settings and locales, expensive sets. (source) Also check out the film’s official website for more on the story.

Come with me for a quick review of what I enjoyed from the film.  Fancy NRI New York City based businessman Sharvan Dhariwal (Sanjay Dutt) meets Varsha (Manisha Koirala) and they enjoy a balloon filled party.  mehbooba.balloons

The film has some huge dance numbers, like Kuch Kar Lo with playback singer Sonu Nigam

Varsha finds Mr. Shravan Dhariwal much too arrogant for her traditional Indian ways and he takes things too far at a fancy balloon filled New Year’s party.

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Varsha warns him, and then winds up for a  tight slap to the face.

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Look at the aftermath of the slap: one sad bollywood balloon,  Sanjay, I mean Mr. Shravan Dhariwal, left alone with his feelings of regret, a cigarette, and a half empty bottle of Johnny Walker, black label, since he is a business tycoon afterall. Even business tycoons have it bad sometimes.  I almost feel sorry for him, dekh:

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Don’t feel too sorry for him because he’s got an evil plan brewing.   While sitting there he decides he will win over this Varsha woman in order to take his revenge.  He now has a vendetta!  He begins to formulate his nefarious plan the next day on his yacht, complete with the requisite blond gori extra (to represent low moral values, hai na?),  a bottle of Johnny Walker, and a phone that reveals that even thought the film was released in 2008, this scene must have been shot in 1999. ( Addition to this post:  It should be noted that  along with the Johnny Walker,  Samir the oenophile was able to identify Champagne, wine, orange juice, Perrier and  Heineken in front of the gori.  Perhaps this is used to emphasis the evil decadence of America and what it can do to an innocent NRI tycoon-industrialist-hotelier-investor.)

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Evidently Mr. Shravan Dhariwal ki plan works because he gets Varsha Merha all dancey, wiggley, and happy here in the Tu Meri Mehbooba number with playback singer Udit Narayan:

Spoiler alert: Varsha Mehra does what is normally done after making the 7  nuptial rounds, if you know what I mean. Mr. Shravan Dhariwal tricked her into a night of love all because of that slap he suffered from Varsha at the party, and then on top of all that HE goes on to slap HER!  As we say here in the USA, payback is a mother%$#@&*!

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Well you can’t just slap Sanjay Mr. Shravan Dhariwal at a lavish, balloon filled party in front of hundreds of his peers without some payback! In case those stills weren’t enough, take a look at what happens!

She was tricked by that player, but I say to Varsha, don’t hate the playa, hate the game.mehbooba.played

Like lots of girls do, Varsha heads over to Budapest with her broken dil.  She’s de-flowered afterall, so devalued in her own mind, but she meets a nice fellow, Karan (Ajay Devgan) who understands and loves her tarnished image.mehbooba.tarnish

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Karan wants to take Varsha home to India to introduce her to his family so they can get married.  Karan arrives to India before her and his brother also returns to India from New York and is delighted to see him. Karan spends a lot of time with Shravan. They party with dancing girls and drink Johnny Walker.

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And they spend more time drinking Johnny Walker.

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mehbooba.tub.2They even hang out in the hot tub together which some might find a bit homoerotic, but they’re brothers, you know how brothers take hot bubble baths together, right?  They take baths together and caress each others faces, right?

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Despite all these good times, Karan notices that Shravan is very melancholy and spends lots of time playing the piano and drinking Johnny Walker.

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Varsha arrives and she soon finds Karan’s rich, bahut rich, but little does she know he’s got a brother who is that same man who she had the intimate encounter with in New York. In fact, she never even catches a glimpse of him until her marriage to Karan is already taking place.mehbooba.crazycrazycrazy

Karan does eventually figure it all out and goes pagal and swings from a chandelier, did you know about THAT chandelier Shweta?

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mehbooba.manishaHow does Mehbooba end? Does Varsha marry Karan? Or does she marry his brother, Mr. Shravan Dhariwal?  You know I can’t even remember since it’s been a while since I’ve seen the film, so even if I wanted to tell you I couldn’t.  I do recall that they didn’t even ask Varsha what she wanted and I’m not sure that she should choose either if they didn’t even check with her.   As usual, please let me know what you thought of this film, I’d love to hear from you.

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http://sajablogs.typepad.com/.a/6a00d83451dd1469e20105361b738b970b-800wiFor time-pass I watch a lot of movies and I also read books.  I suppose it’s normal to find stories about films in books about India, since the film industry infiltrates the culture. Even in this anthology on the serious subject of AIDS,  I was able to find a bit of very uplifting Bollywood material.

The Bill & Melinda Gates Foundation is pleased to announce the publication of AIDS Sutra: Untold Stories from India, a landmark collection of essays that presents a complex and gripping picture of the disease. Sixteen of India’s most well-known literary writers go on the road to tell the story of people affected by the epidemic and the stigma that surrounds them. “This book reveals the human side of the disease,” write Bill and Melinda Gates in their introduction to this groundbreaking anthology. (source)

Bhoot Ki Kahaanian by Jaspreet Singh references Taare Zameen Par (2007).

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Return to Sonagachi by Sunil Gangopadhyay presented a delightful dilemma: where on earth do we hide the whisky?  I bet it was Johnnie Walker.  Read on to see how the dilemma reminded me a bit of Umrao Jaan (1981) and (2006):

 

 

 

 

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Now here’s the Umrao Jaan-ish part:

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(p.158)  

See!  A poetry writing prostitute with a heart of gold, just like Umrao Jaan.

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Love in the Time of Positives by Nalini Jones baghban00 describes how Baghban (2003), and in particular the part played by  Salman Khan, ended up saving someone’s life.

On the day he planned to die, he decided to spend his last afternoon at the movies. Basavaraj described the film he saw at great length-a family drama starring Amitabh Bachchan called Baghban. It is the story of loving parents who give everything they have to their son and look froward to a happy old age.  But their children have grown selfish, caught up in their own concerns, and the parents are left destitute until an unlikely saviour, a street boy the couple had adopted and educated, comes to their rescue.  Sitting alone in the theater, Basavaraj began to worry about this own parents. He realised he was their only son, their best hope for ‘a good old age’. He wanted to be like the adopted boy in the film, the only one who doesn’t forget what he owes his family.  Basavaraj went home, threw out the pills, pored away the alcohol, and cast himself as the unlikely saviour- the son who is secretly HIV positive. (source p.320)

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So if you’ve seen Baghban, I suppose the credit would go to Salman Khan  for saving the life of Basavaraj! Who would have thought!?  I wonder if Salman-ji knows about this.

 

The Daughters of Yellamma by William Dalrymple includes an Amitabh Bachchan siting!  In some parts of India young girls are “married” or dedicated to the temple goddess as prostitutes.  Dalrymple interviews one of the women and she recalls the time she lived in Bombay:

I ate fabulous biryani at the Sagar Hotel and once when I was in the streets I saw Amitabh Bachchan pass by in his car. (p. 226)

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As much as I enjoyed to Sunil Gangopadhyay’s piece, I enjoyed The Last of the Ustaads by Aman Sethi which both mentions and pays a great tribute to Gadar, Ek Prem Katha (2001).  Maybe I loved Sethi’s piece so much because Gadar is one of my favorite movies.

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Questioning the plight of truck drivers in India and their higher tendency to have HIV than the general population, Sethi interviews a truck driver:

Is it just ‘modern life’? When finding answers to sudhcomplex questions in a country infested with faux holy men, one must turn to the sole oracle of truth—Bollywood super hit film Gadar: Ek Prem Katha(Gadar: A Love Story), Tara Singh the truck driver, played by trucker demigod Sunny Deol, is asked a poignant question by Partition refugee Sakina, played by Amisha Patel.  ‘Tara Singhji,’ she asks as sh expertly ties hi turban, ‘why don’t you get married?’ Tho this, Tara Singh shakes his turbaned head, and gives her an answer that made practically every truck driver in India nod his head approvingly and say ‘Wah!’ ‘Madamji,’ says Tara Singh, ‘I live in Khana Buddur; today my truck is parked here, but tomorrow I might  be in Delhi. After that why would anyone want to marry a truck driver?’ Thought the movie is set in 1947, Tara Singh’s question touches upon an issue that is relevant even today.  Truck drivers aren’t particularly discriminated against when it comes to marriage partners; but some of the younger drivers I spoke with said that finding partners was becoming harder and harder.  I watched Gadar on the recommendation of Sanjay and some of his friends Played out against the backdrop of the Partition riots in 1947 in the border states of India and Pakistan, Gadar tells the tale of how a heroic Jat-Sikh truck driver rescues a wealthy Muslim girl from a rampaging mob; wins her trust, marries her, rescues her once more–this time from her rampaging father–and finally settles down, in a happy ending. While several films have had their heroes careen up and down highways in trucks, the heroes. are rarely truck drivers;l the truck just happens to be the closest vehicle at had to make good their escape, rescue their lovers, or run over their enemies.  Gadar is perhaps the only mainstream hit in which the protagonist is a truck driver who proves to be a good husband, father, patriot, and all round nice guy.  Unfortunately, Gadar  too starts with Tara Singh accepting that fate has dealt him a poor hand by making him a truck driver.  He obligingly sings and dances and plays the part of the happy truck driver, but he understands the distance between him and the object of his desire.  As he says, ‘Even if I wanted to, I can’t touch the moon, can I?’ The rest of the plot is a story of redemption–of proving that truck drivers are honourable, powerful , and patriotic.  Why does truck driving lack izzat?  Why are truck drivers victims of negative stereotypes?  Is it class? Is it their association with a high-risk behavior group? Does, in fact, being categorised as  a high-risk group stigmatise them even further? From Gadar to their portrayal in the Indian press, truckers are regarded as rough and ready and reckless, dirty and dissolute.  Prone to drink, driving accidents–and now disease. (p. 306-7)

For more about the book,  read a review  from The Telegraph, Calcutta India, and another from The Indian Journal of Medical Ethics. Listen to the NPR Podcast on the book: ‘AIDS Sutra’ Challenges Widespread Denial In India’

Also, if you want to get filmy with it, here’s something else.

The AIDS Jaago (AIDS Awake) project is four short dramatic films which aim to dismantle myths and raise awareness about HIV/AIDS. These films were funded by the Bill and Melinda Gates Foundation and made by acclaimed Indian filmmakers Mira Nair (Monsoon Wedding; The Namesake), Vishal Bhardwaj, Santosh Sivan and Farhan Akhtar. Designed to use the immense power of moviemaking to wake people up about AIDS, the project was the brainchild of Mira Nair and was produced by her company Mirabai Films. (source)

Watch for Free on Jaman HERE

other Bollywood Movies on HIV

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It’s been a Jewel Thief  week. 3 videos featuring 3 of the women stars have been featured earlier this week. 

I asked which of the women was the best match the jewel thief, Dev Anand: super spunky Anju (Tanuja), sensitive Shalu (Vyjayanthimala) or the vivascious Helen?  All through Jewel Thief  I kept wondering how Vyjayanthimala could be in a movie without dancing?

 

Then finally at the movie’s climax she delivered in this fantastic number “Hoton Pe Aisi Baat” with Lata Mangeshkar  as the playback singer. Once again the music is by S.D. Burman.  It’s because of this number that I officially choose Vyjayanthimala as my match for the jewel thief:

Thanks to crandallmcgee for the video

And for a little extra fun, since I love to see Johnnie Walker used in Bollywood movies, not to be confused with Johnny Walker, who I also like to see in Bollywood movies, I’ll include a few screen images from the movie featuring Johnnie Walker.

Food and whisky for days!

  

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