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Posts Tagged ‘Feroz Khan’

In honor of Beth Loves Bollywood’s international Khanna Family initiative to celebrate all film industry Khannas, Khanna-o-Rama, I would like to contribute a little write-up on Dayavan (1988).

 

It starts out with poor little orphan, Shakti Vellu, aka Dayavan (kid version of Vinod Khanna) ending up witnessing his dad being unjustly murdered by some corrupt police.  He has to flee his southern home and hide in Bombay for safety only to run into some punks on the seaside who try to beat and rob him.  During this fight, Dayavan runs into a little ruffian, Shanker (kid version of Feroz Khan), who is impressed by Dayavan’s fighting skills,  flair, generosity, piety, all that good stuff , which to me are the personality traits I want to believe the Khanna’s  (Rahul, Akshaye, and Vinod) posses in real life, don’t you?  OK, real life, whatever, back to the movie.  Dayavan sets Shankar straight about his true inner badass nature, for within the composed orphan, lies a heart capable of murderous rage with he witnesses injustice!

I am too lazy to get into retelling you the plot of the film, so here’s a synopsis to suffice and then I’ll skip to the parts I liked best.

After having witnessed his dad being killed by the local South Indian police, and being orphaned and homeless, Shakti Velhu develops a hate, and distrust of the police in India. He is befriended by another homeless boy named Shanker, who asks him to accompany him a slum in Bombay, where they live with a kind-hearted Muslim named Karim Baba, and his daughter, Shama. This is where Shakti and Shankar spend their childhood. When they mature, they take to petty crime. Here too, Shakti witnesses police brutality and atrocities, especially at the hands of sadistic, alcoholic, and womanizing Police Inspector Ratan Singh. When Karim Baba is arrested, jailed, and found hanging by his neck in police custody, Shakti hunts down Ratan Singh, and kills him in broad daylight in front of the several hundred people. An investigation is launched, but no one comes forward as a witness. Thus Shakti gets his reputation as a Don with a good heart viz. Dayavan. Shakti marries local prostitute, Neelu, and has two children, Suraj and Sarita. He becomes even more powerful and influential all over Bombay, and his working partners are powerful criminal dons who have ruled over Bombay for eons. Shakti eventually replaces these dons, and becomes Bombay’s only Don. This creates enemies for him and his family, but he believes since he has not really done any harm to anyone, he and his family will be safe. It is this belief that will take a heavy toll on his life and that of his family, when the truth dawns that he, himself, is responsible for being kind to a man, who will ultimately bring forward ruin to the Velhu family. (source)

Fast forward from their childhood to adulthood still in the slums, think Slumdog Millionaire, except in this case the two guys stick together and have a life long bromance.  Check out one of their bromantic escapades here:

There’s the supreme policeman villain there to push Dayavan’s buttons, talk about a corrupt dude!  Inspector Ratan Singh (Amrish Puri!)  harasses the slum dwellers, especially a spicy widow played by Aruna Irani.

As a spinster, I’ve managed quite well for very long without a husband, Amrish-ji, I mean Inspector Ratan Singh.  When the evil cop is not harassing widow Aruna, he  lies about with the courtesans of the slums drinking hooch.

Enter Khanna hero, Vinod, who witnesses the harassment of the widow and breaks into a justice fueled fury, and executes a beat down on the inspector.

Haughtiness intact!  Yet another trait I image the Khanna’s have in real life: intact haughtiness under adverse circumstances.  Then after the severe police brutality takes its toll on Dayavan’s body, enter Shankar, to comfort him. Take in the splendor of the bromance:

How do you cheer up your buddy after an assault from a crooked cop?  A night out at the local brothel of course!

The tune I liked most from the film was Kahe Saiyan Teri Meri Baat with playback singers Ahsa Bhosle and Kavita Krishnamurthy (music by Laxmikant-Pyarelal, lyrics Aziz Qaisi). I couldn’t find the video separate from the film, so to see it go to 2:30 in the clip below to see the greatness.

Shankar teases Dayavan about his lack of experience with women and arranges for him to have an overnight stay in a room at the brothel, if you know what I mean.  Dayavan uses the room to sleep off his night of drinking and is awakened, as is so commonly the case, by the innocent prostitute, who is quietly, yet intensely studying for her exams.  He gives her money to continue her studies, and leaves her untouched.  Now doesn’t this remind you of the class and flair of what you’d imagine the Khanna’s to be like in real life?   Anyway, I suppose I mentioned just then that Madhuri Dixit was in the film  and I found it a waste of her talent  since she really didn’t dance too much and her role was too brief.  Kya waste hai! Here’s a taste of her dancing in a Holi number.

I don’t like seeing other people kissing, since it’s so private, so Hindi movies are perfect for me.  Dayavan has a famous kissing scene between Madhuri and Vinood,  in fact if you google videos for the film, the kissing scene is most prominent and you can see it here if you’re inclined.  If you watch it please make note of how unconvincing Madhuri’s hands are in the scene, which reveals to me she was not comfortable filming it. I mean wouldn’t most women have more gusto in their grasp if sharing a moment with Vinod Khanna?

Let’s end with a few more memorable screen captures & subtitles from Dayavan:

Double point for me here, since the screen cap includes a subtitle with dacoity (which is even better than dacoitery in my book) and a lone bottle of Johnnie Walker black label, which is obviously better than red label, isn’t it?  Look at Vinod Khanna’s intensity here when someone comes to him to get justice: Did I mention that Feroz Khan is in the movie?  Seems like I’ve ignored him, but here he is, handling business!

And handing out a little vigilante justice, which I know chandelier connoisseur Shweta will enjoy:

During the course of the film, Dayavan’s daughter  (Amala)avoids him due to his illegal work, and ironically she marries a police officer  played by Aditya Pancholi,  who is cheated, since she declared herself an orphan.

I don’t think there’s anything wrong with declaring ourselves orphans now and again. Dayavan is a remake of the Tamil film called Nayagan (1987).  Have you seen the movie in its original Tamilian form? I want to see it now in its pure form!  Since I’ve  focused on Vinood Khanna here,  I must throw a bit of attention on his sons, Rahul and Akshaye, to balance out my Khanna-o-Rama contribution.  I will ask you the ask the  timeless question that Briyanshu posed: Rahul or Akshaye? HERE’S THE ANSWER.  Now I command you to click on this feast of Khanna-o-Rama blog posts to fulfill all of your Khanna Family desires.

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When Feroz Khan died earlier this year, I thought I’d better see a few more of his films in order to pay tribute to his career.  One of the most mentioned films of Khan’s career seemed to be Dharmatma (1975), so I watched it.

Feroz Khan, who has died aged 69, was an Indian actor and producer who became one of Bollywood’s biggest stars; with his swagger and tough-guy styling he was compared to American leading men like Clint Eastwood or Steve McQueen. He based one typically all-action picture, Dharmatma (1975), on Francis Ford Coppola’s Oscar-winning film, The Godfather, and starred in another as a suave racing driver who wins the world championship. Later he appeared in a series of cowboy films that aped the Spaghetti westerns of Sergio Leone – they became known as Curry Westerns. (source)

First off, let me get this spectacular image out of the way:

Hema Malini’s character declaring her orphan-hood.

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Don’t you think that reel for reel Bollywood may have the highest occurrence of orphans than any other film industry in the world?  Now back to the movie Dharmatma (1975), which is essentially supposed to be a Hindustani-ized version of The  Godfather.  One thing The Godfather doesn’t have is Helen.

Here’s a brief synopsis of the film I copied from IMDB:

DHARMATMAWealthy, powerful and influential Seth Dharamdas leads a financially secure life in a palatial mansion. He is known to come to the aid of all people who are beyond any hope of assistance, and this leads to him being known as “Dharmatma”. But Seth Dharamdas does have a number of skeletons in his closet, and a parallel life as a gangster. The only person Dharamdas hates and fears is none other than his very own son, Ranbir, who has sworn that he will never compromise with his father’s dark career, and threatens to expose him. Dharamdas has never conceded surrender or defeat at the hands of any mortal, and will never even consider to do so – even if this means the death of Ranbir. (by rAjOo)

Rekha plays a smaller part in this film and is in love with  the rugged, morally upstanding Ranbir (Feroz Khan).darmatma.enemies

Alas,  Ranbir has sets his sights on Reshma (Hema Malini) a girl living over the border in Afghanistan, since it’s never quite Bollywood until there’s a love triangle.  I enjoyed the lavish tent like home where Hema’s character lived. It looked like a high class yurt, but I thought yurts were in Mongolia, not Afghanistan, right?   Even in this opulently decorated  tent, she’s stifled

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Her adoptive father isn’t going for her relationship with a man of another culture, but she does what she can to change his heart and mind.

darmatma.culture darmatma.orphan.beg

For a taste of that nomadic life, enjoy Meri Galiyon Se, featuring playback singer Lata Mangeshkar with the music of Kalyanji Anandji, and picturized on Hema Malini in some nomadic camp in Afghanistan, or maybe it’s in movie studio, you be the judge. Both Danny Denzongpa and Khan’s character are smitten with Hema’s Reshma. Who will win her love?

Besides digging the hip 70’s vibe of this flick, I was delighted to find it had one of my favorites, Farida Jalal, who played Mona, the sister to Feroz Khan’s Ranbir.  Unfortunately, she’s married to a dacoit, Kundan (Imtiaz Khan) but it takes her sometime to figure this out.  Kundan’s  gangster side kicks are played by Ranjeet and Sudhir, who wear matching outfits throughout the film.  Their shirts are always open, and often made of sheer fabrics. They are very, very bad men, but more on them later.

dharmatma.badguys

Wait a minute, even the good guy wears an open, chest hair bearing shirt a lot of the time:

dharmatma.spell

Eventually Mona lets her creepy gangster husband know that she doesn’t like the lowly company he’s keeping which causes some marital strife.

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Doesn’t she know this is Bollywood and a woman cannot talk to a man in such a way without suffering a tight slap to the face?  Even I saw that one coming.

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Mona’s husband may be a hopeless pig, but her brother is reliable and caring.   Everything is fine on Raksha Bandhan and she ties a rakhi on brother Ranbir.  Look how sweet!

dharmatma.Farida.Feroz.rehki

Yet moments later she changes her warm feelings when she realizes that …

dharmatma.slap.2 dharmatma.slap

Can’t you almost feel that tight slap to the face, or at least hear it?  When I saw this in the opening credits I was very pleased:

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I’m a big Ranjeet fan.  It’s most likely psychologically problematic that I find his bad boy characters irresistibly attractive, but I’ll work that out on my own time.  dharmatma.sudhirNormally I love Ranjeet, but his character was so extra creepy in Dharmatma, that I found him only mildly hot, not ultra hot.  Hats off to his acting distracting me from his beauty. Was is due to being paired with a creepy sidekick played by Sudhir that was too much?  Who knows, but together in their sheer, unbuttoned, and always matching shirts, they were repulsive. I looked forward to seeing each new outfit.

dharmatma.badguys.3

Their characters were abusive and drunk most of the time. Take a nice look at them here. I believe there can never be enough photos of Ranjeet out there for the world to see, no matter what.

dharmatma.badguys.4

Ranjeet wears a pinky ring here, which is a tell tale sign of villain-hood:

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Now allow Feroz Khan’s memory to live on and please read his words of wisdom.

dharmatma.revenge

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Here’s the latest chugli from Suzi Mann with Bollywood Insider for May, 2009:

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Click on the links below to find out more.

Bollywood Insider Friday 01 May 2009Tributes from stars to Feroz Khan, IIFA venue and nominations announced, Shahrukh takes IPL break to cast vote

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Bollywood Insider Friday 15 May 2009:  Our Insiders at Cannes bring us Aishwarya and Abishek on the red carpet – IPL filling movie void with Shahrukh, Shilpa, and Preity

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Bollywood Insider Friday 22 May 2009:  This week in Cannes, we ask Barbara Mori and Hrithik Roshan about ‘those’ rumours, and speak to them about all things ‘Kites’

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Bollywood Insider Friday 29 May 2009:  Bipasha Basu gets together with Billy Zane – Kal Kisne Dekha – It’s a Wonderful Afterlife

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Qurbani has some of my favorite things in Bollywood: a tight slap to the face within the first 10 minutes of the film, cool nightclub scenes, great villains and Amjad Khan! Biddu was the music director for the song “Aap Jaisa Koi” which introduced him and Pakistani singer Nazia Hassan to Indian films.

Feroz Khan plays a thief named Rajesh who is blackmailed by villain Vikram (Shakti Kapoor) and his evil sister Jwala (Aruna Irani) into staking from crime boss Rakka (Amrish Puri). Jwala is Rakka’s ex chp05_big_006.jpgwife and has been cheated by Rakka, who has stolen her fortune and divorced her. Jwala wants revenge and will stop at nothing to get it. If Rajesh does not do the job, Vikram will kill Rajesh’s lover, Sheela ( Zeenat Aman), who is a disco club singer and dancer, and Rajesh’s best friend Amar’s (Vinod Khanna) daughter Tina (Natasha Chopra). The thief is continuously being stalled by Inspector Amjad Khan. Written by Ali Halai. (wikipedia)

Here’s the movie hit “Aap Jaisa Koi” Which version do you prefer?

Red dress Zeenat Aman version with Feroz Khan looking on in lust:

Yellow dress Zeenat Aman version with Vinod Khanna looking on in lust:

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