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Posts Tagged ‘Bollywood chandeliers’

Awaargi (1990) is a little tale about a prostitute with a heart of gold who is rescued from the brothel while she’s still chaste, by a goonda who also possesses  a heart of gold under his rough exterior.   This picture rolled at the film’s start and aren’t we all grateful to Hema for something?  Allow a moment to reflect…

The lead Meena (Meenakshi Shishandri) never actually becomes a full-fledged prostitute, but I like to write prostitute with a heart of gold, so let’s just leave it like that, instead of the more clumsy nearly became a prostitute with a heart of gold.  That sounds too awkward, doesn’t it?  Here’s a nice little collection of screen captures of Meenakshi/Meena as a nautch girl before the lovable scoundrel Azaad,  played by a well-mulletted Anil Kapoor, saves her from that fate.

I just loved Meenakshi and can’t believe I hadn’t seen her in more films.  I now would love to see her entire filmography and was able to find a mutual love for her at Nicki’s Hmong Chick Who Loves Indian Cinema’s blog and also at Bollywooddeewana.  Meena’s innocent past included singing at the mandir and studying music under the guidance of her music teacher father.  After a near miss at a prostitution career, Meena is catapulted toward super stardom and is half of the singing and dancing duo.  How does that happen you may wonder?  Well as it so happens, pop star Dhiren  (Govinda!) sees Meena performing in a hotel lounge singing gig that Azaad secured for her and is immediately enthralled by her.  Govinda is very luscious in this film.  How would YOU like to be the focus of Govinda’s gaze here?

Doesn’t that make your heart skip a beat? He invites her to become his song and dance partner and to go on tour with him.  She’s so nervous!  But look how he helps encourage her to go!I didn’t realize that Bollywood invented flamenco dancing until I saw this film and the song Ae Mere Saathiya featuring playback singers Lata Mangeshkar and Mohammed Aziz, with music by Anu Malik, and lyrics by Anand Bakshi.  This is proof:

This wonderful flamenco inspired number includes an impressive backdrop of chandeliers that Apni East India would covet.  It’s so hard to capture the fluid and graceful Govinda in the dance, but despite the blurred focus, these are still something to behold. Govinda and chandelier:

Meena stays with Azaad, and he begins to fall in love with her and dream of a life away from the one he’s lived as a goonda.

Ever since Azaad  has lost his drive for the goonda lifestyle,  his don, played by Anupam Kher, notices this change and tries to encourage Azaad to not lose his focus on crime.

And if this isn’t enough trouble for Azaad, now Meena realizes that she’s falling in love with Dhiren, and the Bollywood love triangle begins!Meena is aware that Azaad is the one who saved her from the fate of being a nautch girl/prostitute, so she is indebted to him and thus rejects Dhiren’s love to fulfill her perceived obligation to Azaad.   Eventually she lets Azaad know her feelings are conflicted.


Azaad finds out about the feelings Meena and Dhiren have for each other and to stop their love from blooming rushes ahead with a marriage proposal.  Dhiren falls into a sea of despair, thinking he’s lost his chance with  Meena.  Normally I see Govinda as a jolly good time guy, dancing and prancing about, but  behold the deliciously rare emo-Govinda!

At a party to announce his engagement to Meena, Azaad becomes drunk and decides to deal with his jealousy over Dhiren and Meena’s love by telling everyone that he bought Meena from a brothel.  Now that  somehow did not help smooth things over.

Dhiren is at the party, and witnesses Azaad humiliate Meena and can’t understand how she could agreed to marry Azaad.

So *spoiler alert* Dhiren goes to comfort Meena after her public humiliation and ends up (as we say in the USA) going all the way with her during the time that Azaad is sleeping off his drunkness.  When Azaad wakes up, his friends tell him about what an idiot he was at the party and he goes to look for Meena to apologize.  Remember, Azaad is a goonda, savvy to the ways of the world, so when he sees a clue like this…

Now you are most likely not a goonda, and perhaps a bit more naive than Azaad, so I’ll help you out with a clue.  Look beyond that bottle of Johnnie Walker on the table, and take a closer look at what Azaad sees…

That’s right! Lipstick on the glass, a glass that is emptied of its Johnnie Walker red liable whiskey! Which can only mean *spoiler alert* that Meena and Dhiren went all the way! Meena tells a Azaad something like, yeah I slept with Dhiren, and!  Then of course the fight begins over her love and a love triangle Bollywood brawl begins.

How does it end?  I’ll let you guess!  The entire movie has been uploaded to YouTube with English subtitles HERE so if you need to know who ends up with who, give it a watch.  Have you already seen this film?  If so, tell me what you remember.  Now before I leave, I have to share with you that Awaargi had so many instances of Johnnie Walker bottles, that felt obliged to make a visual record of it.  Some bottles are red label, others are black label, but they all show up in scenes here that warn of trouble brewing. Let this be a lesson to you: When you see a Johnnie Walker bottle in a Bollywood film, trouble is not far behind.

Now just LOOK and how lucky this shot is!  It includes BOTH the Johnny Walker bottle and a threat of the tight slap in the same shot!  These of course are two of the things I track in all Bollywood films, so for this reason, I say Awaargi is a classic, because I really don’t take a Bollywood film seriously until I see a tight slap, or at least the threat of one, and a bottle of Johnnie Walker.

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Let me start off by announcing it is my birthday today so it’s fitting to share with you my favorite birthday scene (so far) in a Bollywood movie.

Ram Aur Shyam (1967) stars Dilip Kumar in a double role-playing identical twins separated at birth who know not of each other until they unwittingly switch parts and their worlds collide. Kumar’s Ram is  a  timid dimwit, reminding me a lot Anil Kapoor’s  parts in Beta (1992), and  Yuvvraaj (2008); and Shah Rukh Khan’s part in Koyla (1997). Here’s Dilip playing his special needs Ram part.  Can you tell he’s slow here?

Ah, they’re all confused by Shayam acting so much unlike Ram, and we all know the cure for this, the tight slap, as suggested by Mumtaz here:

OK, let’s get the synopsis out of the way so I can get to the good stuff.

 Ram Aur Shyam is a 1967 Indian Hindi feature film, directed by Tapi Chanakya. Its producer B. Nagi Reddy previously produced Ramudu Bheemudu, a Telugu film starring N.T. Rama Rao, in 1964; Ram Aur Shyam is Nagi Reddi’s Hindi version. Ram Aur Shyam has music by Naushad and lyrics by Shakeel Badayuni, it stars Dilip Kumar (in his first dual role), Pran, Waheeda Rehman, and Mumtaz. The theme owes its origins to Alexandre Dumas, père’s story The Corsican Brothers: twins separated at birth who grow up with very different temperaments and then exchange places, leading to the villain being taught a lesson. Like The Corsican Brothers, which has been adapted into several feature films, Ram Aur Shyam has inspired remakes in Hindi movies too, with Seeta Aur Geeta (featuring female twins, played by Hema Malini) in 1972; Chaalbaaz (starring Sridevi) in 1989; and Kishen Kanhaiya (starring Anil Kapoor) in 1990. (source)

I have a filmi friend who jokes about Hindi movies saying, “and there was a wedding,” which is funny because isn’t there a wedding in 75% or more of all Indian films?  The Indian social system is glued together by marriage,  from the joint family system, to the industries that profit from the actual wedding functions themselves, so of course weddings are part of the movies because they’re so much a part of the culture. Yet nearly as often as the weddings are part of the films, I’ve noticed there are a lot of parties in general, and in particular birthday parties, the singing of  huppy burdhay tew ewe, and birthday cakes!  I love a good birthday cake!  Since it’s my birthday today, please indulge me and allow me to focus on the birthday section of this film, complete with some Bollywood balloons.

The Dramatic Birthday Party of Ram Aur Shyam go like this: The party for Shyam’s  niece, Kuku (Baby Farinda) begins, (except it’s Ram pretending to be Shyam): giant birthday card, huge cake, many guests…

Enter deliciously evil daddy of birthday girl, Pran, demanding silence. Khamosh!

Cute daughter approaches him and offers him some of her birthday cake:

It’s Pran, so you can guess what he does, right?  He slaps that plate right out of her hand on her birthday, in front of everyone! Look at her cry!

Oh no he didn’t!  Oh yes he DID!  Enter fake docile Shyam, lekin it’s really badass Ram:

Ram/Shyam picks up the cake from the floor…



then shoves it in Pran’s mouth! Can it get anymore dramatic and filmy than that? YES IT CAN! Because DEKH!  In this photo there is a Bollywood hat trick of:

  • a chandelier
  • grand central staircase
  • Bollywood balloons

Technically it’s even better than the hat trick, since it’s also a birthday party, with Pran, and a cake. Start watching at the 6 minute mark in order to see this wild scene take place.

Is the birthday ruined from this drama? Nahin!!! Enter Ram/Shyam with some more balloons and a happy song.

All is saved by a fantastic song and all the kids dancing to Aaye Hain Baharen Mite Zulmo Sitam by Mohammed Rafi.

Here’s one more Bollywood chandelier from the film for chandelier specialist, Shweta at Apni East India Company:

OK, the party is over, so I’ll just add that all the wacky mix ups and drama end with a double wedding ceremony for Ram aur Shyam, but this isn’t quite a spoiler alert, because I bet you can’t tell Ram from Shyam in these photos.

Wandering around the web, I found this great blog review of the film at Ranranbolly as well as one by the intellectual gold standard of all things filmy HERE at Philip’sfilums.

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Mehbooba was released in 2008, but director Afzal Khan began filming in 1999.  There are a lot of reasons why the filming took so long to finally be released which you can read about HERE.

mehboobaThe film stars Sanjay Dutt, Ajay Devgan and Manisha Koirala in the lead roles. Set on a huge canvas and shot across three continents, America, Europe and Asia, with four different countries as the story’s backdrop, with New York, Budapest, Austria, Bikaner, Jaisalmer and Mumbai as the key locations, the film boasts of lavish settings and locales, expensive sets. (source) Also check out the film’s official website for more on the story.

Come with me for a quick review of what I enjoyed from the film.  Fancy NRI New York City based businessman Sharvan Dhariwal (Sanjay Dutt) meets Varsha (Manisha Koirala) and they enjoy a balloon filled party.  mehbooba.balloons

The film has some huge dance numbers, like Kuch Kar Lo with playback singer Sonu Nigam

Varsha finds Mr. Shravan Dhariwal much too arrogant for her traditional Indian ways and he takes things too far at a fancy balloon filled New Year’s party.

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Varsha warns him, and then winds up for a  tight slap to the face.

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Look at the aftermath of the slap: one sad bollywood balloon,  Sanjay, I mean Mr. Shravan Dhariwal, left alone with his feelings of regret, a cigarette, and a half empty bottle of Johnny Walker, black label, since he is a business tycoon afterall. Even business tycoons have it bad sometimes.  I almost feel sorry for him, dekh:

mehbooba.balloon.bummer.JW

Don’t feel too sorry for him because he’s got an evil plan brewing.   While sitting there he decides he will win over this Varsha woman in order to take his revenge.  He now has a vendetta!  He begins to formulate his nefarious plan the next day on his yacht, complete with the requisite blond gori extra (to represent low moral values, hai na?),  a bottle of Johnny Walker, and a phone that reveals that even thought the film was released in 2008, this scene must have been shot in 1999. ( Addition to this post:  It should be noted that  along with the Johnny Walker,  Samir the oenophile was able to identify Champagne, wine, orange juice, Perrier and  Heineken in front of the gori.  Perhaps this is used to emphasis the evil decadence of America and what it can do to an innocent NRI tycoon-industrialist-hotelier-investor.)

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Evidently Mr. Shravan Dhariwal ki plan works because he gets Varsha Merha all dancey, wiggley, and happy here in the Tu Meri Mehbooba number with playback singer Udit Narayan:

Spoiler alert: Varsha Mehra does what is normally done after making the 7  nuptial rounds, if you know what I mean. Mr. Shravan Dhariwal tricked her into a night of love all because of that slap he suffered from Varsha at the party, and then on top of all that HE goes on to slap HER!  As we say here in the USA, payback is a mother%$#@&*!

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Well you can’t just slap Sanjay Mr. Shravan Dhariwal at a lavish, balloon filled party in front of hundreds of his peers without some payback! In case those stills weren’t enough, take a look at what happens!

She was tricked by that player, but I say to Varsha, don’t hate the playa, hate the game.mehbooba.played

Like lots of girls do, Varsha heads over to Budapest with her broken dil.  She’s de-flowered afterall, so devalued in her own mind, but she meets a nice fellow, Karan (Ajay Devgan) who understands and loves her tarnished image.mehbooba.tarnish

mehbooba.bhailove

Karan wants to take Varsha home to India to introduce her to his family so they can get married.  Karan arrives to India before her and his brother also returns to India from New York and is delighted to see him. Karan spends a lot of time with Shravan. They party with dancing girls and drink Johnny Walker.

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And they spend more time drinking Johnny Walker.

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mehbooba.tub.2They even hang out in the hot tub together which some might find a bit homoerotic, but they’re brothers, you know how brothers take hot bubble baths together, right?  They take baths together and caress each others faces, right?

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Despite all these good times, Karan notices that Shravan is very melancholy and spends lots of time playing the piano and drinking Johnny Walker.

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Varsha arrives and she soon finds Karan’s rich, bahut rich, but little does she know he’s got a brother who is that same man who she had the intimate encounter with in New York. In fact, she never even catches a glimpse of him until her marriage to Karan is already taking place.mehbooba.crazycrazycrazy

Karan does eventually figure it all out and goes pagal and swings from a chandelier, did you know about THAT chandelier Shweta?

mehbooba.chandelier

mehbooba.manishaHow does Mehbooba end? Does Varsha marry Karan? Or does she marry his brother, Mr. Shravan Dhariwal?  You know I can’t even remember since it’s been a while since I’ve seen the film, so even if I wanted to tell you I couldn’t.  I do recall that they didn’t even ask Varsha what she wanted and I’m not sure that she should choose either if they didn’t even check with her.   As usual, please let me know what you thought of this film, I’d love to hear from you.

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