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Archive for the ‘INDIAN FOOD’ Category

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I posted about Hillary Clinton and Aamir Khan a couple days back and now I have yet another famous American gori hanging out with an Indian Film Industry super star to show you.  Anil Kapoor on the Martha Stewart Show!  How did I miss this? Well I suppose because the show is on while I’m working is the reason I missed it when it originally aired.  The other day I watching Martha Stewart and chef Suvir Saran was her guest and they were making some cauliflower dish. Then I hear Martha casually comment on how when Anil Kapoor was on her show he also used asafoetida in the black dal recipe he made.  SAY WHAT!?  The search was on!  Better late than never.

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I found that Anil Kapoor had been on  Martha’s show April 1, 2009.

Just look at Martha acting so coy around our beloved Anil!

She is looking just like a gori extra in a Bollywood film.

Lekin, how can I blame her?

Can anyone resist his charms?

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Martha becomes more aggressive and it looks like she’s trying to accidently touch his hand here.

Nahin!

How dare she!?

Back off Martha!

Dammit!

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You may watch the episode at THIS LINK.  In the clip you’ll see that Martha doesn’t know a whole lot about Bollywood, but she tries to talk about it, and Anil is very polite about her lack of knowledge.  Mention not! Ahh, if she only knew of his vast mega-star fame and cinematic accomplishments!

Anil Kapoor’s black dal recipe.

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bikulpakka2jpg.jpgI bet you may recognize this woman.  Allow me to explain how she’s been an inspiration to me. I look forward to the day when I finally am able to travel to India. I envision myself at the customs counter in Mumbai, Kolkata or perhaps Chennai, and my passport along with my travel visa are being scrutinized.  It is then that I plan to use my Bollywood vocabulary learned from the Tilda rice commercial.   You know the one, where the mom tells her daughter to get the recipe to work she must be sure to be “bilkul pakka!”  This seems to mean, “just right” or “absolutely correct.”   It is THIS phrase that I will very confidently say in India, to the customs agent when they are pausing over my documents: “Sir-ji (or memsaab-ji), everything should be absolutely correct. (pause) Matalab, sub kuch bilkul pakka!” He or she will then look up and say, “Where did you learn to speak such absolutely perfect Hindi?” I’ll just tell them I learned from Shamaroo and Eros Entertainment and of course the Tilda Basmati Rice commercial.  Which reminds me, I really should get a book to learn some Hindi.

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Too bad I couldn’t find the commercial I was talking about, but here’s another, it doesn’t say “bilkul pakka,” but it’s sort of cute and counts towards building up the “food” in  Bollywood Food Club.

 

Here’s another version of a Tilda commercial.

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Yesterday I had a life just like Babita in yesterday’s video clip. Such generous dosto were Nandini, Brahmanadam and Gurubhai! Hard to believe it was Gurubhai‘s first time eating Indian food. They showered me with unique, lovely and valuable gifts, the most valuable being their waqt. We dined on scrumptious delicacies at Best of India in the cozy little gem of a strip mall: The Texa Tonka Mall. Strip malls can really be quite charming if you give them the chance.  The Texa Tonka not only has a great name, but is home of Best of India, Namaste Plaza, and Axman! After the great meal with yaaro, I was lucky enough to watch Beta, which has the most tight slaps to the face I’ve ever seen in a Bollywood movie.  A perfect birthday fo Sita-ji!

 Beta (Hindi: बेटा, Urdu: بیٹا, translation: Son) is a 1992 Bollywood movie directed by Indra Kumar. The film featured the pairing of Madhuri Dixit with Anil Kapoor, who were previously paired in Tezaab and Parinda. The film is perhaps best remembered for the hit song “Dhak Dhak Karne Laga”, which earned Dixit her nickname as the “Dhak-Dhak Girl” (“dhak-dhak” = heartbeat). Beta won four Filmfare Awards including Best Actress (Dixit), Best Actor (Kapoor), Best Playback Singer (Anuradha Paudwal for “Dhak Dhak Karne Laga”) and Best Supporting Actress Aruna Irani. It’s a remake of Tamil blockbuster Enga Chinna Raasa directed by Bhagyaraj. Beta is the story of Raju (Anil Kapoor), the only child of a widowed multi millionaire. Raju’s father can provide him anything he wants but Raju’s only desire is to get mother’s love,beta.jpg in order to please Raju, his father gets married to Nagmani (Aruna Irani), thinking that she will take care of Raju more than his real mother would. Raju becomes completely devoted to his stepmother, doing whatever she wishes. Time passes by, Raju grows up and gets married to Saraswati (Madhuri Dixit). Saraswati discovers that Nagmani’s motherly love for Raju is fake and all what Nagmani is interested in, is capturing Raju’s wealth. And thus begins a battle within the household between daughter-inlaw and mother-in-law. (wikipedia)

beta1.jpgToday’s video is so caliente, it should be rated R for racy!   My movie watching yaar fell in love with Madhuri during this song, and his love only deepened as the movie progressed. Can you say Filmfare award? Enjoy “Dhak Dhak Karne Laga” by playback singers Udit Narayan and Anuradha Paudwal from Beta.  

Thanks fo tilluskc for the video.

Lyrics

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Today’s video is “Pretty Woman” with music by Shankar-Ehsaan-Loy, by playback singer Shankar Mahadevan, picturized on King Khan from the movie Kal Ho Naa Ho.  I’ll get to that later but let me give you a little background first.

This is a pivotal Bollywood movie for me because it’s partly responsible for my current addiction to the genre. I had seen Devdas along with Nandini and other dosto at the Walker Art Center in Minneapolis back in September 2003; the seed was planted. In the following years I saw Monsoon Wedding, Bend It Like Beckham, and Kandukondain Kandukondain. These Indian related movies swirled in my head a few years. Skip forward to August of 2006 and I’m looking at a Netflix page thinking, “Hey, I’d like to see that guy from Devdas in something.” I figure “that guy” is Shah Rukh Khan and put Kal Ho Naa Ho in the queue because it’s recommended. So I watch this movie and am stunned by how LONG it is! I’m disappointed that it’s set in what is supposed to be New York. Hey! This isn’t right, I wanted a real Indian movie set in India. Then I see this “Pretty Woman” scene and get that feeling you get when you’re embarrassed by someone, even worse that being embarrassed for yourself. But THEN the movie takes this turn that I never expect. Shah Rukh Khan is so dramatic that I’m sucked in. It has a love triangle, self sacrifice, and an emotionally wrenching hospital scene. So half way through, I accept it as a good movie and all I know is I want more! Then I saw Kuch Kuch Hota Hai, followed by Main Hoon Na. Then I watch Main Hoon Na again with Nandini and I sense another Bollywood junkie. It’s like SRK was a gateway drug to Bollywood. Next discovery is the pure cocaine of Amitabh, and the angry young man movies. HOOKED! I pick up a Hindi street naam of Sita-ji after watching Dance Dance, to keep it real. So the addiction begins! I stay with Bollywood, because it’s what I know, it’s safe. I believe that if I slip into Tollywood and Kollywood, and I’ve had a taste of the Telugu and Tamil scene people, it would be like taking crack, possibly meth. I have to stay away from Rajinikanth for now. And Lollywood would be like heroin, unmanageable. I need to stay as clean as I can, so it’s mostly Bollywood for now. I saw Nandini the other night, and we whispered a bit about Nollywood, careful to not let too many people hear, but knew to back off, it was just too dangerous. And we know that kal ho naa ho, but it’s still good to play it safe.

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Kal Ho Naa Ho (Devanagari कल हो ना हो, Nastaliq: کل ہو نہ ہو, English: Tomorrow May or May Not Be) is a 2003 Bollywood film set in New York City. It stars Jaya Bachchan, Shah Rukh Khan, Preity Zinta, and Saif Ali Khan. The film was directed by first-timer Nikhil Advani; it was produced and co-written by Karan Johar, better known as the director of the hit films Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham (2001). This movie resembles Dil Chahta Hai (2001) in blending Bollywood and Hollywoodconventions with high production values. While copyright violation has long run rampant in the Bollywood film industry, Kal Ho Naa Ho is notable for having licensed the rights to Roy Orbison‘s “Oh, Pretty Woman” for an extended musical sequence taking place in the streets in New York. Because of its familiar setting and music, accessibility to non-Indians, good production values, and respect for copyright, Kal Ho Naa Ho has been used to introduce Bollywood to markets where Indian films have been rare. Naina Catherine Kapur (Preity Zinta) is an angry young woman, for more than one reason. Her father committed suicide when she needed him the most, leaving Jennifer (Jaya Bachchan), his wife, to raise their children all khnh2.jpgalone. Lajjo (Sushma Seth), Jennifer’s mother-in-law, blames Jennifer for the suicide. Furthermore, Jennifer is unhappy because Lajjo refuses to accept Gia, a six-year-old girl whom Jennifer adopted, as her granddaughter. In addition, the restaurant Jennifer operates is faltering. The only factors that redeem Naina’s life are the toiling and tolerant Jennifer and Naina’s bumbling MBA classmate Rohit (Saif Ali Khan). Aman Mathur (Shah Rukh Khan), a happy-go-lucky man, arrives in Naina’s neighbourhood and soon changes everything with his contagious joviality and zest for life…(wikipedia)

And speaking of New York and India, our friend Brahmanandam, a.k.a. Tim, sent a great link to Indian restaurants in New York City; “A Passage to India,” by Matthew Fishbane. Click here to check it out the article published in the January 13, 2008 in the New York Times.

So here it is, “Pretty Woman”:

Thanks to nacromanser for providing the video.

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Enjoyed the lunch buffet at Surabhi  today. 

Located at 517 w. 98th St., Bloomington, MN  952-746-FOOD (3663)

and what they say here is true!

Welcome to Surabhi Indian Cuisine. The Indian food experience in Surabhi Cuisine will give you a glimpse of heaven, it is authentic and delicious to provide an unforgettable time.

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