“Zindagi Ek Juaa” Madhuri as drug fiend!

In honor of Maduri Dixit’s birthday, first I’d like to wish her one:Ardent Madhuri Dixit fan, Gaja Gamini, from Bollywood-ish Blog, declared it Magic of Madhuri Week.  My little contributions are some shocking images of Maduri from Zindagi Ek Juaa  (1992) (Life is a Gamble)

The first image of the film is of  ye olde Central Jail, so right off you know there’s trouble. Maybe one day I’ll make it Film City or whatever movie studio houses Central Jail.

Now a bit about the film:

After saving the life of his employer, Jagjit Singh alias JJ (Anupam Kher), Harikishan (Anil Kapoor) is promoted with a wage increase that he had only dreamt of.  Anxious to please his employer Harikishan agrees to have his name changed to Harry, and does anything that he is instructed to do.  Soon Harry realises that he has been aiding his employer in illegal activities.  When he tries to break away, he is told that his mom (Asha Sharma) is and will be held captive to guarantee his cooperation.  Harry must now come up with a scheme that will guarantee his safety as well as the freedom of his mom, and at the same time save himself from being arrested by the police. (source)

But there’s so much more, and that’s the part about Madhuri’s character Juhi, called Baby by family and friends. Anil Kapoor’s  Harikishan ends up falling for the boss’s daughter when she comes back from Europe and dazzles him with her carefree performance at her birthday party.

 

Very soon after her first meeting with Harikishan, Baby/Juhi becomes the aggressor and makes her lustful feelings very clear:Harikishan is puzzled by her romantic overtures, so the Bollywood cure of the tight slap to the face is used to bring him to understanding:Enjoy Maduhuri’s dance of seduction in  Dil To Dil Hai  featuring the music by Bappi Lahiri and playback singer Ahsa Bhosle:

One thing leads to another, Juhi ends up pregnant, they get married against her father’s wishes, but Harikishan has to handle some of the illegal drug business in Hong Kong, see  you can tell he’s in Hong Kong by the room itself, all oriental in its styling, with the bonus of the awesome cordless phone:Hari’s best friend (Shakti Kapoor) tries his best to watch over Juhi while Hari’s away, but please take special note of the Whitney Houston poster on the wall, as it serves as an ominous warning to what could happen to Juhi. In case you haven’t heard, Houston has fallen on the path of drug abuse, which is the same fate that awaits Madhuri’s Juhi. Eventually she finds out about Hari’s business dealings in illegal drugs, and sends him packing right after she gives birth to their son.  Of course after telling him off she has a huge headache and at that moment, she’ s offered some medicine by an evil friend, Mr. Lal:And just like THAT she’s hooked!

So Juhi has sent her husband packing and quickly becomes addicted to her nose candy.  A police inspector  played by Suresh Oberoi goes to Juhi to find out more about what she knows about Harikishan and  notices Juhi’s addiction, meanwhile, I ignored most of that scene and just noticed this great subtitle ripe for a screen capture:

Harikishan realizes his estranged biwi has pushed him out of her life, and decides to soothe his anguish with music, but he’s shocked even more when a drugged up Juhi makes an appearance.  Staggering and stoned Juhi plays the trumpet stopping only to smoke. What an entrance!  Watch Kabhi Kuchh Khoya with playback singer Kumar Sanu,who incidently I saw in concert with Akla Yagnick  a few yers back when I was too new of a Hindi cinema fan to fully appreciate.

Watch here and at about 1:40 the drug fiend Madhuri enters.  Pay special attention for her crazy drugged trumpet playing while smoking at 2:09. When Anil’s Harikishan sees that it’s a COMPLETE buzz kill and he realizes, “I married a drug whore! My dealing of drugs brought this all about! The mother of my son uses coke!”

I’d like to bring up Whitney Houston again, who just this week was banned from Prince concerts due to her drug using antics and trying to get on stage with Prince in her altered state. Houston  has since gone into rehab.  This makes me wonder if that’s how Harikishan felt when Juhi trid to play trumptet while he was jamming with his friend in  Kabhi Kuchh Khoya. Poor Juhi did not make it into rehab. She realized her problem, made arrangements to have her son cared for: Then she goes down the self-destructive path of drug abuse.But then there’s a knock at the door!Harikishan pleads with Juhi to stop her drug use.

He leaves, only to return another time…

to find an overdosing Juhi.

What happened to Juhi?  Watch the movie if you dare to see, or ask me in the comments and I’ll tell you.  Let this be a warning to you, don’t do drugs!  Thank you for reading this post, but now, with all due respect, all I have to say is…

 Report to  Bollywood-ish blog  for Magic of Madhuri Week‘s  FULL LIST BLOG POSTS.

That Girl in Yellow Boots (2010) and how I met Anurag Kashyap in Minneapolis!

Back on November 3, 2010, I had the pleasure of watching Anurag Kashyap’s new film written with, and starring Kalki Koechlin at the Minneapolis-St. Paul Asian Film Festival.

That Girl in Yellow Boots is an upcoming Indian Thriller film by critically acclaimed director Anurag Kashyap. Starring Kalki Koechlin and Naseeruddin Shah, the film will premiere at the Venice Film Festival. It will also be screened at the Toronto International Film Festival.  Ruth (Kalki Koechlin) comes to Mumbai to find her long-lost father, but when she takes a job as a massage therapist to make ends meet she becomes involved in the seedier side of the city. Although the money is welcome, and she does enjoy the adventure that comes with her new job, she soon faces an important moral decision. (source)

That Girl in Yellow Boots was the opening film in the festival, and as an added bonus, the director attended the film and answered questions before and after the screening. I had no idea this festival was going on and thanks to a tweet from Nicki, the Hmong Chick Who Loves Indian Cinema, I was able to learn about the event just 2  hours before it happened!  I’ve seen Kashyap’s  Black Friday (2004) and Dev. D (2009) and was already a big fan of his work, so I was delighted for the opportunity to see his new film. What was even more exciting was that Kashyap appeared at the event!

That Girl in Yellow Boots also was shown in September of 2010 as part of the Toronto International Film Festival, which you can read about here in a review by Marissa Bronfman

Look how fancy THAT event was! And get a load of Kalki’s gorgeous saree.   Kashyap’s outfits at the different events indicates The Minneapolis/St. Paul Film festival was quite a bit less formal that the Toronto festival.

Q & A before and after screening of That Girl in Yellow Boots

During the pre and post question and answer sessions, Kashyap graciously answered questions about his new film as well as previous works.  He spoke about the censor board in India and the difficulties to passing films through that process.  He also spoke about some missing (lost or destroyed, I can’t recall) footage from Black Friday (2004), and how it was merely pieced together with much of  its full/original content gone.  Having enjoyed Black Friday very much, I can’t imagine how more footage would have improved on an already great film.  A lot of the comments were basically, “Your films are so dark” and at one point Kashyap responded in good humor, something like, “With 800  happy films made in India in a year, it’s OK if 200 can not be happy.”  I bet there’s some recording of these before and after film comments by Kashyap and if I come across it, I’ll link it in.  I can only rely on my memory of the event, and I was so thrilled to be there that a lot of what I heard  has receded in to a vague happy memory.  I should have jotted down some notes or written this down right after it happened, but alas I did not.   There is a very nice interview with Kashyap done by MTN, and while the interviewer does not seem to understand quite how big of a deal Kashyap is, and doesn’t ever manage to say his name correctly, she makes up for this with her earnest curiosity, so I forgive her. :)  If you watch the interview, which I recommended, note how polite Kashyap is with his interviewer too, meeting her at her level of understanding and moving her along quickly to learn a lot in a short time.

The full interview with Kashyap on MTN can be found HERE.  There’s also  a very nice review of the film, by local writer, Will Wright, HERE.

Upon completing the question and answer session after the film, several audience members stopped Shree Kashyap for photos, autographs, and conversation while he was exiting the theater.  I caught him and said something like, “Do you want to know my FAVORITE scene from  Dev. D ?” I didn’t give him a chance to say no, and told him it was the scene when Mahi Gill’s Paro is dancing, knowing the Dev (Abhay Deol)  is finally on his way back home to the Punjab from London, but not back yet, and suddenly she glances up and sees him photographing her.

And then she meets him privately in the house, and he puts his arm up against the wall, to make sure she stays:

The scene described can be found here starting at 2:20:

That is one of my favorite movie sequences EVER for it completely captures the passionate anticipation the characters have for each other.  Though I told Kashyap how  much I loved that scene,  I’m not sure if he heard what I exactly said, since I said it so quickly and he was trying to attend to his other fans, but I loved having the opportunity to tell him that in person.

The After Party

If that wasn’t good enough, here’s the even better part: I actually got to sit and chat with Mr. Kashyap after the film! There was a gathering after the film viewing at a nearby bar,  Honey.  Now I know Honey sponsored the event, and they serve Asian fusion food, and this was an Asian film festival, BUT just across the street, within a stone’s throw of the Ganga Mississippi River,  is Nye’s Polonaise Room, voted best bar in America, which would have been my choice.

Nye’s has a lot more filmi charm and the character that a director of Kashyap’s reputation deserves, but I digress. Along with some of the audience, I made my way over to Honey and watched Anurag Kashyap speak with viewers.  I had a wonderful time talking about films with some NRIs and after about an hour we worked up our courage to approach that table where the director was sitting and eventually we sat down and talked to him.  As time passed I was able to sit right next to him and tell him another favorite scene I had from Dev. D. It’s the one where Kalki Koechlin’s character is asked to decide on a name to use in the brothel by Chunni (Dibyendu Bhattacharya)

and while watching Madhuri Dixit’s Chandramuki in Devdas (2002) on TV, she replies:

I also love the steaming momos sequence in Dev. D. but forgot to tell him that.

I asked Kashyap if he liked how Emosanal Attaychar was worked into  the background soundtrack of Peepli Live (2010). He asked what I thought of the new film. I told him it was fabulous.  Though the subject was dark, the humor and suspense worked in throughout relieved the intensity at just the right times.  I especially loved the scene where the goonda breaks into Ruth’s home and stubbornly struggles to work the various remote controls for her entertainment system.  I overheard one of the Tamilian NRI‘s at the table talk to Kashyap about Rajinikanth.  These Madrasis can’t help but talk about their superstar, I understand.  While Kashyap did not mention that he’d be working with Rajinikanth, he did say he was working on a film with Prithviraj and Rani Mukeji, if I heard correctly.  I’m not sure if he meant on the same film, if he was currently working on this project, or if they were separate projects not yet started.  My internet research does confirm the Prithviraj project.   Another thing discussed were the film’s yellow boots. Kashyap said in the store it was a choice between yellow or red Doc  Martens, and the yellow boots won.  I told him I thought the work boots were to represent that Ruth was there in Mumbai to do the heavy labor of finding out the mystery of her past;  she was there to take care of some dirty business, thus the work boots.  He said, no, but that this is the beauty of film, one can think what they’d like, make a variety of their own interpretations regardless of the director’s intentions.  I also told him that his films are in our Minneapolis library system, and he seemed to like that.  I did exercise great restraint by NOT saying some of these things I was thinking:  “Where’s Kalki?  I wanted to see Kalki too! How much does Nasruddin Shah charge  to be in a film? What about Abhay Deol?! He’s SO cute, what’s he like?!” I did though try to touch Mr. Kashyap’s feet for fun, something I like to do to Indians because I love when they say, “no, no, no,”   just like in the movies and it’s how I indulge my fantasies of being a gori extra in film.

He did the usual, when I tried to touch his feet and Anuragji said, “No, you must not do this.”  Kashyap left the table to go out to smoke and left his iPad, and I thought if I were the stealing type, a goonda, a dacoit, that would be a great iPad to steal, maybe get a few movie ideas out of it to sell.  While I did not steal his iPad, I confess, I stole on sip of whiskey from his unattended glass, only just a small part of the peg.  I felt fancy and daring doing this, and I’m almost positive that it was Johnnie Walker, and I would presume it was black label, hai na?  Wouldn’t you have done the same given the opportunity?

I was delighted to have the opportunity to see Kashyap’s new film and get a chance to share a few  moments chatting with him.  Read more about The Girl in Yellow Boots HERE, and in Katherine Matthew’s insightful Bollyspice review HERE, and be sure to see it when it’s released next year.

Dayavan (1988) The Khanna-o-Rama that is Vinod

In honor of Beth Loves Bollywood’s international Khanna Family initiative to celebrate all film industry Khannas, Khanna-o-Rama, I would like to contribute a little write-up on Dayavan (1988).

 

It starts out with poor little orphan, Shakti Vellu, aka Dayavan (kid version of Vinod Khanna) ending up witnessing his dad being unjustly murdered by some corrupt police.  He has to flee his southern home and hide in Bombay for safety only to run into some punks on the seaside who try to beat and rob him.  During this fight, Dayavan runs into a little ruffian, Shanker (kid version of Feroz Khan), who is impressed by Dayavan’s fighting skills,  flair, generosity, piety, all that good stuff , which to me are the personality traits I want to believe the Khanna’s  (Rahul, Akshaye, and Vinod) posses in real life, don’t you?  OK, real life, whatever, back to the movie.  Dayavan sets Shankar straight about his true inner badass nature, for within the composed orphan, lies a heart capable of murderous rage with he witnesses injustice!

I am too lazy to get into retelling you the plot of the film, so here’s a synopsis to suffice and then I’ll skip to the parts I liked best.

After having witnessed his dad being killed by the local South Indian police, and being orphaned and homeless, Shakti Velhu develops a hate, and distrust of the police in India. He is befriended by another homeless boy named Shanker, who asks him to accompany him a slum in Bombay, where they live with a kind-hearted Muslim named Karim Baba, and his daughter, Shama. This is where Shakti and Shankar spend their childhood. When they mature, they take to petty crime. Here too, Shakti witnesses police brutality and atrocities, especially at the hands of sadistic, alcoholic, and womanizing Police Inspector Ratan Singh. When Karim Baba is arrested, jailed, and found hanging by his neck in police custody, Shakti hunts down Ratan Singh, and kills him in broad daylight in front of the several hundred people. An investigation is launched, but no one comes forward as a witness. Thus Shakti gets his reputation as a Don with a good heart viz. Dayavan. Shakti marries local prostitute, Neelu, and has two children, Suraj and Sarita. He becomes even more powerful and influential all over Bombay, and his working partners are powerful criminal dons who have ruled over Bombay for eons. Shakti eventually replaces these dons, and becomes Bombay’s only Don. This creates enemies for him and his family, but he believes since he has not really done any harm to anyone, he and his family will be safe. It is this belief that will take a heavy toll on his life and that of his family, when the truth dawns that he, himself, is responsible for being kind to a man, who will ultimately bring forward ruin to the Velhu family. (source)

Fast forward from their childhood to adulthood still in the slums, think Slumdog Millionaire, except in this case the two guys stick together and have a life long bromance.  Check out one of their bromantic escapades here:

There’s the supreme policeman villain there to push Dayavan’s buttons, talk about a corrupt dude!  Inspector Ratan Singh (Amrish Puri!)  harasses the slum dwellers, especially a spicy widow played by Aruna Irani.

As a spinster, I’ve managed quite well for very long without a husband, Amrish-ji, I mean Inspector Ratan Singh.  When the evil cop is not harassing widow Aruna, he  lies about with the courtesans of the slums drinking hooch.

Enter Khanna hero, Vinod, who witnesses the harassment of the widow and breaks into a justice fueled fury, and executes a beat down on the inspector.

Haughtiness intact!  Yet another trait I image the Khanna’s have in real life: intact haughtiness under adverse circumstances.  Then after the severe police brutality takes its toll on Dayavan’s body, enter Shankar, to comfort him. Take in the splendor of the bromance:

How do you cheer up your buddy after an assault from a crooked cop?  A night out at the local brothel of course!

The tune I liked most from the film was Kahe Saiyan Teri Meri Baat with playback singers Ahsa Bhosle and Kavita Krishnamurthy (music by Laxmikant-Pyarelal, lyrics Aziz Qaisi). I couldn’t find the video separate from the film, so to see it go to 2:30 in the clip below to see the greatness.

Shankar teases Dayavan about his lack of experience with women and arranges for him to have an overnight stay in a room at the brothel, if you know what I mean.  Dayavan uses the room to sleep off his night of drinking and is awakened, as is so commonly the case, by the innocent prostitute, who is quietly, yet intensely studying for her exams.  He gives her money to continue her studies, and leaves her untouched.  Now doesn’t this remind you of the class and flair of what you’d imagine the Khanna’s to be like in real life?   Anyway, I suppose I mentioned just then that Madhuri Dixit was in the film  and I found it a waste of her talent  since she really didn’t dance too much and her role was too brief.  Kya waste hai! Here’s a taste of her dancing in a Holi number.

I don’t like seeing other people kissing, since it’s so private, so Hindi movies are perfect for me.  Dayavan has a famous kissing scene between Madhuri and Vinood,  in fact if you google videos for the film, the kissing scene is most prominent and you can see it here if you’re inclined.  If you watch it please make note of how unconvincing Madhuri’s hands are in the scene, which reveals to me she was not comfortable filming it. I mean wouldn’t most women have more gusto in their grasp if sharing a moment with Vinod Khanna?

Let’s end with a few more memorable screen captures & subtitles from Dayavan:

Double point for me here, since the screen cap includes a subtitle with dacoity (which is even better than dacoitery in my book) and a lone bottle of Johnnie Walker black label, which is obviously better than red label, isn’t it?  Look at Vinod Khanna’s intensity here when someone comes to him to get justice: Did I mention that Feroz Khan is in the movie?  Seems like I’ve ignored him, but here he is, handling business!

And handing out a little vigilante justice, which I know chandelier connoisseur Shweta will enjoy:

During the course of the film, Dayavan’s daughter  (Amala)avoids him due to his illegal work, and ironically she marries a police officer  played by Aditya Pancholi,  who is cheated, since she declared herself an orphan.

I don’t think there’s anything wrong with declaring ourselves orphans now and again. Dayavan is a remake of the Tamil film called Nayagan (1987).  Have you seen the movie in its original Tamilian form? I want to see it now in its pure form!  Since I’ve  focused on Vinood Khanna here,  I must throw a bit of attention on his sons, Rahul and Akshaye, to balance out my Khanna-o-Rama contribution.  I will ask you the ask the  timeless question that Briyanshu posed: Rahul or Akshaye? HERE’S THE ANSWER.  Now I command you to click on this feast of Khanna-o-Rama blog posts to fulfill all of your Khanna Family desires.

Lajja (2001): item numbers & eye candy, or could I say aankhon ladoo?

Yaar!

I watched Lajja(2001) (translation: Shame) and got carried away with the screen capping knowing I must do a post.  Yet what to post when I see the wonderful bloggers have already said it so well?  You know I specialize in the more superficial enjoyment of all films, so I’ll share my likes here by showing some photos and focusing on the item numbers, but please go and see the great reviews and thoughtful insight on Lajjaat the post punk cinema clubUpperstall, Filmi Geek and at philip’sfil-ums.

lajja

Starring as pictured above Manisha Koirala (Vaidehi); Madhuri Dixit (Janki); Mahima Choudhary(Maithili); and Rekha(Ramdulaari).  All four of the woman stars have a form of Sita for their name.

Epithets: In common with other major figures of epic literature, Sita is known by many epithets. As the daughter of king Janaka, She is called Janaki; as the princess of Mithila, Mythili or Maithili; as the wife of Raama, She is called Ramaa. Her father Janaka had earned the sobriquet “Videha” due to his ability to transcend body consciousness; Sita is therefore also known as Vaidehi (Vaidehi Vaydehi, or Vaithegi) (Sanskrit: वैदेही)). (source) Thanks to Philip’sfil-ums, I know that Ramdulaari (Rekha’s part) tranlates to Ram’s darling.

 

lajja.menThis is a girl power film, and unfortunately there’s certainly large amount of misandry, (and misogeny, go figure) but worry not since there are some super male heros played by the always satisfying Anil Kapoorand Ajay Devgan to help tip the scales back in the favor of good men. Even super bad guy played by Jackie Shroff is redeemed by movie’s end. The film opens with this statement by the director:

lajja.santoshi

The music numbers covered here are all written by Anu Malik. Choreographer Ganesh Acharyaputs together 3 wonderful dances which serve to hold the sometimes disjointed picture together. Ganesh Acharya really does some provocative choreography with Urmila Matondkarhere, clearly showing life in the fast lane at an American nightclub. I did wonder a bit about the reason for putting those masks on the background dancers, but why not?  Jazz hands! Can one really ever get enough of the jazz hand?  I think not, so I had to share not one, but two screen caps of the jazz hand:

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Aa Hi Jaiye with playback singer Anuradha Srirampicturized on Urmila  Matondkar:

lajja.prestigeOur story starts with Vaidehi (Manisha Koirala) who finds herself married to a womanizing millionaire crorepati and living in the wicked west, New York City that is. You can see in the item number above the loose moral environment Vaidehi’s husband subjects her to. It’s all about the sex, drinking and money for her evil husband played by Jackie Shroff, but Vaidehi herself must keep up the family name.  Vaidehi makes her plea for a moral lifestyle and he won’t stand for it and ships her back to Hindustan. Of course there’s retribution for the husband’s evil ways and after sending Vaidehi back to Bharat he gets in an auto accident, rendering him impotent. Ha! Well we see that even the very rich, amidst their leaded crystal laden mansions in the USA have problems!

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But…lekin, there is a simple solution! Evil father ( Suresh Oberoi ) suggests:

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Meanwhile back in the safe arms of India, Vaidehi meet a bandit with a heart of gold played by Anil Kapoor, who is called a biscuit wallah and scoundrel here:

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In order to hide from her husband’s men hunting her down, Raju (Anil Kapoor)  and Veidehi crash a wedding and blend among the crowd.  It’s there they meet the bride to be Maithili (Mahima Choudhary)and meet her snobbish in laws. Look at Maithili’s sweet mother (Farida Jalal) be snubbed in her gift offering:

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The bride has an admirer who I thought tried to imitate yesteryear actor Johnny Walker. The second great item number is Saajan Ke Ghar Jaana with playback singers Alka Yagnikand Richa Sharma, picturized on the lovely Sonali Bendre:

 

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Eventually Vaidehi makes her way to another safe haven, where she meets Janki (Madhuri Dixit ) who is an actress. Her first exposure to Janki is her acting out a seen on stage from the 1960 epic Mughal-e-Azam .

lajja.madhuriRetro

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How can you not adore Madhuri?  The third item number is Badi Mushkil with playback singer Alka Yagnik,picturized on Madhuriand Manisha:

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That’s all the fun we get because Janki finds herself pregnant out of wedlock and her fiance is made to question her virtue by her Ravana-esque manager.  So when she’s doing her staged performance of Ramayana, she asks why should Sita  have to do the trial by fire to prove her virtue, why not Ram?

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Backstage she continues to share what’s on her heart and mind:

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Now that’s a great question, but I guess she forgot she was in India. It’s more than just an elephant in the room, it’s the elephant in the country.  The aftermath of the big question about equality has predictable results in a man’s world:

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The crowd beats Janki and as a result she miscarries.  Infuriated, Vaidehi goes to confront the evil, gossiping, lecherous pervert manager of Janki and get a load of what she says:

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Yeah!  She said it! Vaidehi escapes that mess and finds yet another safe haven with  Rekha‘s Ramdulaari. Do you see how in Rekha’s world they keep it real, cow dung patties drying on the wall.  Now that says “village!”

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And while I speak of cow dung patties, here’s a photo I took of some I saw on my trip to India:

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Back to Rekha and Manisha and their suffering:

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Another hero that comes to Vaidehi’s rescue is the super human Bulwa (Ajay Devgan) who handles dacoits on a train as well as the evil town leader Gajendra( Danny Denzongpa ). Now Bulwa has held a grudge ever since the Gajendra boiled Bulwa’s moms hands in oil.   This resulted in Bulwa amputating one of Gajendra’s arms back in the day, which of in turn caused Gajendra to hold a grudge against Bulwa.  Years pass and Bulwa returns for another confrontation and Gajendra whips off his pashmina to reveal that arm he’s been missing for years:

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Amputations are one of those things I look for in a Bollywood film.  Nothing says revenge like an amputation. Bulwa even commits a double arm amputation on another scoundrel.

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Bulwa is once again to the rescue when Vaidehi’s evil  NRI husband catches up to her. The sword wielding hero is ready to chop off her husband’s head, but to Bulwa’s horror, she stops him:

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Well Bulwa does have a valid point there Vaidehi, hai na?

Here’s one more screen cap to show what a bad-ass Bulwa is:

Since I’d like to end on a positive note, feast your eyes on the ever beautiful Madhuri:

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If you’ve seen Lajja, tell me what you thought.

THAT Bollywood Pool!

Brrrrrrrrrrrrrr! It’s cold outside where I live and being in some warm weather near a swimming pool sure would be nice.  All I want for Christmas is THAT pool!  No chance of that, so I’ll be happy to write about it instead. I think you’ve seen this pool if you’ve watched your share of Bollywood films. It took me a while to get hipped to this pool.  I like pools anyway, and the sight of them always makes me smile, so I was extra surprised to realize that this pool started showing up in a lot of Bollywood films.

hkknthatpool

When I’d see it I think “THAT pool again!” I would nominate it for best supporting background architecture if the Filmfare Awards had such a category.  I will heretofore refer to the pool as THAT pool, not to be confused with The Pool.  THAT pool is easily identified by the fancy arched diving platform with dual step approach. I know I’ve see THAT pool in Dil (1990) where Aamir Khan and Madhuri Dixit’s characters danced around it and announced their engagement. I am almost sure I saw it in  Hum Aapke Hain Koun…! (1994) where Salmaan Khan dove off the cool platform into the pool and splashed around in it with a flirty girl.

So the other day while watching Hum Kisi Se Kum Nahin (1977) I saw it again! I thought “THAT pool!” and got around to finally screen capping it.  Here we see Kajaal Kiran grooving around the pool.  Unfortunately I didn’t get a closer image of Kiran so that you could see that she’s wearing funky platform shoes, and that those pants are leather. I merely captured her groovy spirit. This is how I’d look if I found myself at THAT pool.  I’d be dancing around it whipping around my scarf too.

hkknthatpool2

If you have some images of the pool, I’m sorry, THAT Bollywood pool,  send them this way.  If you have seen it in a Bollywood film tell me which one.  It would be nice to establish a filmography of THAT pool.

UPDATED  7.26.11

Thanks to Beth Loves Bollywood we now have full information on The Pool!

Karen’s goldmine of Bollywood images. Images galore!

Back in June I posted about Karen’s Blog, Everything Bollywood, This is the Opium to the Masses. Having found the gold mine of Bollywood photos on her site and then reading Karen’s sad words: “Regarding anyone who has interest in my blog, if it hasn’t already become apparent, i have pretty much abandoned this blog. reason being that i thought that no one cared about this blog so i stopped doing stuff with it,” I was alarmed that maybe the blog would be removed. I also feared that I’d loose the link to her other source of the great photos, her picaweb albums. Thankfully Karen posted a few comments here and provided the links to her picaweb albums and also let the world know that most of the dead links on her blog were fixed. Her blog is also back up and running! Look what she had to say here:

Thanx to Sitaji, bollywoodfoodclub, memsaab, bollywoodblogger, nirmal loves nihangs, thebollywoodfan and Anonymous I have decided not to kill this blog! Instead of posting pics directly onto this blog I have uploaded them into Google web albums instead. All of the links are posted on the Left side of blog so you can view all of the pics there! I’m still shifting stuff around so i will change the links again! Please feel free to leave comments here or at web albums pics, I will reply as soon as possible! Enjoy the pics!

If Karen’s massive photo uploading efforts could be portrayed in a picture it would be this one: Karen (here taking the form of Helen) offering up the intoxicating images to us all, and we’re so cool, we’re Don!

Thanks to Karen I’d like to post those album links here. She’s done a fantastic job of gathering lakhs, maybe even crores, of dazzling images from our beloved Indian Film Industry, affectionately known to many as Bollywood. I’m warning you, there are thousands of images and you will end up spending more time than expected browsing. Beware dosto. Here are Karen’s 4 main galleries:

Actor Pictures can be found HERE! Like this one of a Zanjeer promotion, that I found in Mandy’s public gallery which contains 41 albums. The Groups album that contained this photo has 400 more photos!

Yesteryear Actresses and Couples Pictures can be found HERE! I found this in the Sadhana Album:

Actors and Actresses from the 90′s are HERE! Karen’s put together 76 albums, some containing hundreds of these pictures from the 1990s. If you like Maduri Dixit, then this is your place!

If you think it couldn’t possibly get any better, you’re wrong, it can! Karen’s last gallery contains 33 albums of Movie Posters, Albums, Pressbooks, Lobby Cards and everything else associated with the movies that you can find HERE!

Thanks to YOU again Karen!

Many will enjoy these images, and some like me may even risk losing their jobs if they continue to spend time looking at everything Karen’s posted.  Wait, there were 2 images that I found a little disturbing, which I shall leave you with links to, as I don’t want to startle anyone by boldly posting them here. I do want to be discreet afterall. This is one and this is the other.

All photos used in this post are of course courtesy of Karen.

 

Bollywood Insider: Latest reports from July & August, 2008

Dosto, it’s time to get the latest Bollywood chugli from Suzi Mann, Bollywood Food Club’s favorite entertainment correspondant. Suzi gives us the latest news hot off the press on all your favorite Bolly stars!  Sorry I’m a bit late in passing this news on to you.  Enjoy!

 

 

From July 04, 2008:
London hosts Love Story 2050 Premiere – Khan and Kumaar are inseperable – Hard Kaur is a party animal
From July 11, 2008:
Shilpa makes a comeback – Kumar lives like a Kinng – Career lift-off for Harman
From July 18, 2008:
Kaif’s birthday surprise – Priyanka turns 26 – Bolly brand is big bucks
From July 25, 2008:
Bolly stars unite for Unforgettable Tour – Salman and SRK run-in – Govinda relives his youth
From August 01, 2008:
Jewel in Kat’s crown – Chopra choppy waters – King Kumar cashes in

 

SOS! Or SOB, as in Save Our Blog! Help save a fellow Bollywood fanatic’s blog.

Calling all Bollywood bloggers and Bollywood blog readers! SOB!

I was hopping around the web tonight and found some spectacular photos of Bollywood stars. Let me tell you how it all happened. I finished watching the thriller Aggar (2007) and was doing my customary post movie research. I usually like to refresh my memory about where I may have seen the actors before and find out about the ones I don’t remember after I’ve finished a film. So this evening, like many other nights, I jumped over to IMDB & wikipedia, and checked out filmographies of the movie’s stars: Shreyas Talpade (hot!), Udita Goswami, and Tusshar Kapoor (also hot, hmm, where have I seen him before?) click:

Tusshar Kapoor( तुषार कपूर; born 20 November 1976) is an Indian actor. He is the son of Bollywood actor Jeetendra and Shobha Kapoor and brother of producers Ekta Kapoor & Sharan Kapoor. He studied at the University of Michigan. (wikipedia)

Then I think, “Hey, I still haven’t seen Jeetendra, maybe I’ll see Caravan (1971) since it also stars Asha Parekh who I also haven’t seen!” So I’m thinking I will kill 2 birds with one stone, hain na? Now I want to see some photos of them, so I do a google image search and find great stuff. Excellent stuff! So many great shots at this one place. For example, photos like these of Madhubala and Asha.

The blog source of these fantastic pictures About section reads:

About Me: Karen, Fanatic fan of hindi movies! Love the classical ones just as much as the new ones (pretty apparent from the blog)! Madhuri Dixit is my favorite actress and Salman Khan is my fav actor!

Ahh! a kindred spirit! Then I read this sad news there:

Saturday, June 14, 2008

Regarding anyone who has iterest in my blog if it hasn’t already become apparent, i have pretty much abandoned this blog. reason being that i thought that no one cared about this blog so i stopped doing stuff with it. plus i have so many pics that it became very long and tedious to upload pics. so i uploaded my pics into webalbums! which if you want you can view at http://picasaweb.google.com/home i have now also ran out of space here and i still have a lot of pics to upload! so i will i guess make another account! well thanx for all the comments and feedback! do checkout the webalbums!
NAHIIIIIIIIIN! I write this post to show that some one cares. Ek person cares and I’m certain many more care. You’re not the only Bollywood fanatic out there Karen! I feel like this is the MD telathon and I’m Jerry Lewis, asking for your help to save Karen’s Everything Bollywood, This is the Opium of the Masses blog. Yaaro, we can find a cure! At least now you will know where all these pictures are located and be able to find her goldmine of a webalbum if you haven’t already. Here’s to you Karen in Canada! I hope you get some more space on your blog or get another account. I’ll be watching. Hopefully some people reading this will shoot you a word of encouragement too. Thanks for taking the time to upload all those fantastic photos Karenji!

More on the Unforgettable Tour: USA & Canada

I’ve posted about The Unforgettable Tour earlier. Here’s some more current information on the US part of the tour:

Here’s another video that explains who is participating, and reports that Saif Ali Khan, Bipasha Basu, and Lara Dutta have dropped out of the tour. And for you Canadians, here’s all the information you need.

The Unforgettable Tour

I came across The Unforgettable Tour site today and my mind wandered with possiblities.  Would I ever attend this tour?  Which city would be the best place to see the tour?  Would YOU go to this tour?

 

There is some question about who will participate in this tour. Salman Khan was considered at one point? Is Lara Dutta out?  Is Akshay Kumar in?