Just in time for Halloween: 5 things you should know about ghosts, courtesy of Jaani Dushman (1979)

Happy Halloween.  I learned some valuable information about ghosts and ghost possession last night while watching  Jaani Dushman (2009), and thought I’d share it with you to keep you safe from harm on this ghoulish holiday.

Here’s a synopsis of the film in case you haven’t already enjoyed it:

Jwala Prasad is to marry the girl of his dreams. On the day of the marriage, she is dressed all in red, as is the tradition in India. Just before the wedding she slips off to meet her real lover. When Jwala finds out, he is so enraged that he turns into a monster and kills both the to-be bride and her male friend. The saga does not end here, and this monster continues to terrorize the region, first abducting brides dressed in red just before the wedding procession stops at a Mandir (temple). When a to-be groom finally confronts and kills the monster, it leaves the body of Jwala Prasad and possesses the body of its killer. And the terror continues. Years late another male has now killed this creature, and the monster has re-possessed its body, and it is again on the rampage. The police and men of this region do confront this creature, but find out it is invincible, bullets cannot harm it, nor can physical strength of fully grown men overpower it. The suspense mounts as one by one the brides are killed and no one seems to have a clue, and everybody seems to be suspect, including the village Poojari, the Thakur, his son, and several other people. Even if they do manage to kill this creature, it will simply re-possess the body of another male, and continue on its gruesome task. (source)

The film provides visual evidence  of a ghost possession.  Here we see a lustful character played by the legendary Amrish Puri during the ghost possession process:Afterwards, he looks like this:

Ironically, a soon to be wedded couple, recently terrorized by the ghost above, sees the same ghost on a train, but they don’t recognize him since he’s snapped back to his regular form.  This book he’s reading could be a vague hint that there’s trouble ahead.

The unsuspecting groom asks the gentleman about ghosts since he’s reading a horror story.  Amrish’s character kindly provides the groom with the 5 important signs of ghosts, which I share with you here as a public service.

 

Ghost sign 1. = Perspiring. Persistent sweating.

Ghost sign 2. = Chewing of the lips while talking.

Ghost sign 3. = Shivering of hands and feet.

Ghost sign 4. = Non-blinking eyes.

Ghost sign 5. = Terrorized by fire.

That’s scary stuff and you may ask,  “Are there any solutions?”

Well, as luck would have it, there are solutions to defending oneself against ghosts:

 

Now be safe and go break some spirits if need be!

For a comprehensive and very entertaining review of Jaani Dushman (2009), click over to Beth Loves Bollywood HERE.

Bollywood orphan collage

What’s an Indian filum without an orphan?  A while back I whipped up this little orphan collage from screen captures of orphans  and thought I’d share it with you here.  I’d say about 45% of all Bollywood films have at least one if not two orphans, right? It makes a marvelous screensaver. Enjoy my fellow orphans!

  For maximum viewing pleasure, click on the image to see it in its full glory.                Jai Bollywood!

Pardes: America is very bad for the Indian soul!

This is my contribution to Roti Kapada aur Rum’s  international call to all Indian film bloggers to submit something for Shameful Classics celebration in July, 2011.  After I saw Pardes (1997) last year I was very enthused about it, yet nearly every NRI I spoke to, emailed, or tweeted about it said how much they disliked the film.  I adored  Pardesmaybe because as a gori I’m free of the cultural shame some NRIs have over Bollywood films, so when Shameful Classics month came up, I figured it’s time to do a post on this insane film, after all I loved the film so much I practically screen capped it all!  In fact, if you scroll quickly over this post it will look like a flip book of the movie, THAT’S how many screen caps there are.  So I suppose at minimum I should be ashamed of adding to internet pollution. One of best parts of doing this blog is being able to rave about a movie that most of you saw years back that I’m just discovering now.  As I said, I LOVED this movie, but then again I tend to love all Subash Ghai films for their kitsch value and dramatic plot twists. Glancing over Ghai’s filmography, I’ve seen and enjoyed all of these, Vishwanath (1978);  Karz (1980);  Krodhi (1981);  Meri Jung (1985);  Ram Lakhan (1989);  Khalnayak (1993);  Trimurti (1995) (producer);  Taal (1999);  Aitraaz (2004) (producer);  Kisna: The Warrior Poet (2005);  Iqbal (2005) (producer);  Black & White (2008); and with time I’ve even remembered Yuvvraaj (2008) as resonating as a fun film, especially when Katrina’s character says something like , “You’re 100% complete anti-family hai!” to Salman’s character.  Remember that?! I LOVED that!  So is it possible that Ghai’s my favorite Bollywood director?  Should I be ashamed? Let’s continue on with Pardes!

Pardes, meaning “foreign land”, is a story that revolves around Ganga (Mahima Chaudhary). She is an Indian girl living in a rural village, brought up by her conservative family. Kishorilal (Amrish Puri) is a wealthy and successful businessman who lives in Los Angeles, America but is still deeply attached to his motherland India and adores the values and culture of India. On a visit to India, he meets his old friend Suraj Dev (Alok Nath) and stays at his house. During his stay he gets to know Suraj Dev’s family and becomes very attached to Ganga, Dev’s eldest daughter, who is the epitome of Indian culture. He hopes to find an Indian girl for his westernized, American son, Rajiv (Apoorva Agnihotri) and feels that Ganga is just right. He offers a marriage proposal between Ganga and Rajiv; Dev’s family accepts. Kishorilal knows he will have a tough time trying to convince Rajiv, who has never even visited India. But Kishorilal has a plan. He sends his foster son, Arjun (Shahrukh Khan) (‘Little Master’), to play cupid and convince Rajiv to visit India and meet and approve of Ganga. Arjun arrives at Dev’s house and makes changes and arrangements to make the place suitable for Rajiv. Rajiv joins him in a few days and initially does not like the idea. Arjun spends many days trying to get Ganga and Rajiv to like each other and, in the process, becomes a close friend of Ganga. Eventually Rajiv and Ganga agree to the wedding….(source)

Pardes (1997) is one of those America is bad for the India soul films, but unlike the more recently released MNIK, Pardes simple “America’s evil culture is bad, and India and its people are good,” theme didn’t bother me at all.  Perhaps this is because America was played a lot of the time by Canada, (Vancouver) in Pardes, and the places where innocent beautiful bride Ganga ( Mahima Chaudhry) does show up in the USA are really not so chaste, such as Las Vegas, aka sin city.

 

So let’s begin the tale of Pardes in India, where everything is good, see:

Those are the words of Amrish Puri’s character, Kishorilal, the typical NRI rich industrialist living in Ameerika who travels back to Hindustan to keep in touch with his roots and meet with childhood friends, like Alok Nath’s Suraj Dev.  After some typically spectacular Indian hospitality, Kishorilal thinks, “I Love My India” and figures why not marry his fancy American-raised son to a pure woman of India, Suraj’s beti, Ganga!.  Wouldn’t you do the same given the opportunity?

He  returns to India to pitch this idea to his fancy son, Ragiv (Apurva Agnihoti), who is of course amoral having been raised in the USA. But how to soften this blow to Ragiv?  How can a lad raised in the pure and constant luxury of America understand and accept India, a developing country?

How to solve this dilemma?  Well as it turns out, Kishorlal has a quasi son, a pure hearted orphan named Arjun, played by  Shahrukh Khan

who’s grown to be both an accomplished auto mechanic, who runs a fancy garage, where he dances with his boyz in their off time

 and also manages to be an Asian Music Chart topper!

 

See how humble Arjun is when being interviewed on a big radio show, even though he’s a chart topper? He’s from India, he’s a good man.

So Arjun escorts Rajiv over to India as his cultural attaché, which comes in handy when some village guy thinks he’s got a claim on bride-to-be Ganga and they decide to play a game of kabaddi to settle the score.

 

NRI Rajiv, is like Kabaddi? So this is where Arjun’s cultural attaché-ness comes in handy, he not only shows him how a mean game of kabaddi is played,

but he shows how to play kabaddi to win the girl!

I think I forgot the part where Ganga sees Arjun when he first arrives in India and thinks he’s cute before she ever sees Rajiv, so there’s that.  Just keep that in the back of your mind for now for dramatic foreshadowing purposes only…  Back to America, and Ganga is a bit shy upon arrival to this foreign land, for it’s so different from her beautiful India, but she’s not too shy to perform      I Love My India in front of the masses at a function. Kishorilal begins to plan for the wedding and it’s clear that he’s been contaminated by his time in America, revealing his superficial materialism, which does not exist in India, right?Ganga is comforted by orphan to foster savior son, Arjun, who is there in Canada America to soften the blow of culture shock. Rajiv is always busy with work and then while looking around the home, abandoned Ganga sees trashy gori and kali girl photos plastered on the walls, as well as dirty magazines and is rightfully concerned.   What does it all mean? Rajiv’s evil cousin helps to explain the morally bankrupt ways of America to innocent Ganga.

Rajiv, Arjun, and Ganga go out to a party on a fancy yacht in the port of Los Angeles Vancouver one afternoon and there’s a scuffle, and while Rajiv is focusing on his own richi-rich status…he doesn’t even notice when some guys leer and grope on Ganga, but watchful Arjun does, and defends her honor.One night the same three all go to a disco, something new to Ganga. She’s shocked to see Rajiv is smoking, but Arjun to the rescue, explains away any concerns about this to Ganga:

No worries, right?  It’s only a bit of smoking, right?  They go one to play some game at the disco called Prince & Princess Made in Heaven Contest which in all my time spent in American discos, I’ve never seen.Their compatibility is revealed in this game and they win!  See how happy they are together?

See the cute statue they win in the leucite box? Alas, their happiness is fleeting because in the background Rajiv is getting drunk.

But remember, Ganga is engaged to Ragiv, not Arjun, the man who’s maintained his pure Indian soul despite his long-term exposure to American culture.  Rajiv having spent all his life in the USA is not so fortunate to have learned good Indian morals, and he gets drunk and Arjun helps remove him from a brawl.

So these warning signs are adding up: the smoking, the drinking, the bar fight, the fight on the yacht, the dirty magazines, and an ex-girlfriend with a gori name. Rajiv even abruptly tells Ganga one evening he’s going out with his girlfriend, which is sort of a red flag, hai na?  Ganga is feeling reluctant about her upcoming marriage to Rajiv and seeks comfort in her friendship with Arjun.  On Arjun’s birthday she brings him a cake and some balloons and hangs out with him at the garage with the boys while Rajiv is probably out somewhere with this Kelly.Ganga even brings their “Match Made in Heaven” statue to the party and Arjun’s wise friend is bit suspicious, remember, Ganga is Rajiv’s match, not Arjun’s match.

It’s Arjun’s wise friend (Pavan Malhotra), peering around some Bollywood balloons, who sees the love he has in his eyes for Ganga. Can you see it too?

Rajiv becomes a bit jealous of the friendship between Arjun and Ganga, tells his dad Kishorilal, who in an effort to keep Arjun away from Ganga,  transfers him to another office very far from where they live now, which I tought was Vancouver posing as Los Angeles, but maybe it was really being Vancouver all along since he was sending Arjun away to Los Angeles, confusing.

In the meantime, Rajiv takes Ganga on a little trip to Las Vegas, corruption capital of America! There were plenty of gori extras,

and for the first time in a Hindi film I saw kali extras too:

Up in the hotel, Rajiv wants to share a penthouse room with his Indian fiance, and “take things to the next level.” Ganga is pure, Ganga is not having that!

What’s so spectacular about this near rape hotel scene is that Rajiv insults Ganga, but it’s not until he makes disparaging remarks against India that she snaps!  After the insults to India, the fight is on and she beats him up. I believe he does get one tight slap to the face in, but once Ganga is fired up, her rage for defending her mother India is unstoppable!  She escapes after knocking him out, and as luck would have it, some of Arjun’s home boys catch wind of Ganga’s location at a truck stop near Las Vegas. Please note the brick phone, I didn’t take this screen cap for nothing!

Kishorilal and Rajiv put the rush on the wedding plans and  plan to catch up with Ganga, who has now returned to her mother India with the help of Arjun, who rescued her from her peril in Las Vegas.  Obviously Kishorilal goes nuts and demands to know how she disappeared from the Vegas hotel, and Rajiv, doesn’t say, “well, I tried to rape her and she knocked me out,” but instead lies:

 

If you’ve read this blog before, you may know that I have a small hobby with spotting Johnnie Walker bottles in Indian films, and this shot is the limit!  Look at the slutty poster on the wall and FIVE bottles of Johnnie Walker, black label,  (not to mention the implied bottles that lurk between him and that poster) to match Rajiv’s black American heart!

Now safely back in India, Ganga’s reputation is ruined, because the NRI Americans have said she ran off with Arjun because they were in love, neglecting to tell the truth about Rajiv’s immoral and criminal behavior.  To be fair, Kishorilal has been lied to by his son Rajiv, so how is he to know that his orphan to foster son is really an innocent savior as pure as the Ganga, and Ganga herself? I love my India! Ganga’s mother is mortified at the disgrace that’s happened since her daughter returned unmarried, which really messes up the family izzat. Ganga’s dad, Suraj Dev believes the stories from America that Ganga has run off with Arjun.

Poor Ganga wants to protect her father from the truth about what happened in the US, considering that Kishorilal is his BFF and in leaving out a few key details (attempted rape) she and Arjun become the focus of Suraj Dev’s rage, for after all, a returned bride-to-be is a dirty thing in India.Wow Dad, so harsh! But you know who WON’T let his chaste Ganga be defiled with cruel lies or be hit by her own father!? Arjun! And here things get HOT! SRK goes full-blown crazy, cutting himself with a gigantic saber by pulling it by the blade from Suraj Dev’s furious hands!

I love it when SRK does crazy, it’s one of his strengths as an actor, that over the top  deliscious D R A M A, and Pardes delivers with his self mutilating with a large sword, to clearly make his point to Ganga’s dad. No one will hit or talk trash about Ganga!To escape further harm to Ganga’s already mistakenly tarnished reputation, Arjun runs off to what is supposed to be the bus station, but what is Fatehpur Sikri.  Remember, he was originally an orphan, so he believes that a return to orphanhood is perhaps his fate.  I loved how these scenes shot in historic Fatehpur Sikri were made to look like a bustling bus stand where SRK keeps toting around his backpack in various attempts to storm off in dignity. I had the good fortune to travel to Fatepur Sikri near Agra, India almost 2 years ago, and it looked more like THIS.  I’ve added a few of my own travel photos of this historic site here so you can see I was right near where Arjun was! Dekh! My Fatehpur Sikri:

Arjun’s Fatehpur Sikri:

Arjun’s Fatehpur Sikri may have some sufi action:

 But MY Fatehpur Sikri in the same location has some kingfisher action:

While Arjun runs off, Ganga has been locked away in the house, only to be released by her grandmother who urges her to go after Arjun!

Ganga catches up with Arjun before he gets on the bus at Fatehpur Sikri, but to preserve what he thinks is family honor, he feigns disinterest.  Ganga declares her love for Arjun, he holds back.

Grandma catches up to the scene and encourages Ganga and disburses wisdom.

That’s right girl!

Arjun and Ganga seem to work things out,

 

but guess who has arrived on the scene? Rajiv and some of his goonda friends wielding field hockey sticks, and Kishorilal!

Sorry Ganga, they have returned for you.  Let’s take a break for another view of My  Fatehpur Sikri, right about where all the action is taking place in Pardes:

And Action!

Rajiv finally gets his comeuppance!

Then Ganga finally reveals the wounds she suffered at Rajiv’s hands to Kishorilal and her own family.  Reputation cleared, izaat intact, for Ganga, for her family, for all of India!At last the wise orphan addresses his foster father and tell him what America has done to Kishorilal’s soul:What Kishorilal forgot in America is what he learned in his Bharat MataDoes Arjun get the girl? Is Kishorlal about to slap him or give him a pat of approval? If you don’t know see the film to find out.

It’s unfortunate that Kishorilal and Rajiv weren’t able to read and follow this sign that I found posted in the local mandir, The Hindu Temple of Minnesota. This would have helped them avoid all of the problems they had in America all together,

but then it’s a good thing they didn’t, so great film like Pardes could be made! Please share your thoughts of the film with me.

“Zindagi Ek Juaa” Madhuri as drug fiend!

In honor of Maduri Dixit’s birthday, first I’d like to wish her one:Ardent Madhuri Dixit fan, Gaja Gamini, from Bollywood-ish Blog, declared it Magic of Madhuri Week.  My little contributions are some shocking images of Maduri from Zindagi Ek Juaa  (1992) (Life is a Gamble)

The first image of the film is of  ye olde Central Jail, so right off you know there’s trouble. Maybe one day I’ll make it Film City or whatever movie studio houses Central Jail.

Now a bit about the film:

After saving the life of his employer, Jagjit Singh alias JJ (Anupam Kher), Harikishan (Anil Kapoor) is promoted with a wage increase that he had only dreamt of.  Anxious to please his employer Harikishan agrees to have his name changed to Harry, and does anything that he is instructed to do.  Soon Harry realises that he has been aiding his employer in illegal activities.  When he tries to break away, he is told that his mom (Asha Sharma) is and will be held captive to guarantee his cooperation.  Harry must now come up with a scheme that will guarantee his safety as well as the freedom of his mom, and at the same time save himself from being arrested by the police. (source)

But there’s so much more, and that’s the part about Madhuri’s character Juhi, called Baby by family and friends. Anil Kapoor’s  Harikishan ends up falling for the boss’s daughter when she comes back from Europe and dazzles him with her carefree performance at her birthday party.

 

Very soon after her first meeting with Harikishan, Baby/Juhi becomes the aggressor and makes her lustful feelings very clear:Harikishan is puzzled by her romantic overtures, so the Bollywood cure of the tight slap to the face is used to bring him to understanding:Enjoy Maduhuri’s dance of seduction in  Dil To Dil Hai  featuring the music by Bappi Lahiri and playback singer Ahsa Bhosle:

One thing leads to another, Juhi ends up pregnant, they get married against her father’s wishes, but Harikishan has to handle some of the illegal drug business in Hong Kong, see  you can tell he’s in Hong Kong by the room itself, all oriental in its styling, with the bonus of the awesome cordless phone:Hari’s best friend (Shakti Kapoor) tries his best to watch over Juhi while Hari’s away, but please take special note of the Whitney Houston poster on the wall, as it serves as an ominous warning to what could happen to Juhi. In case you haven’t heard, Houston has fallen on the path of drug abuse, which is the same fate that awaits Madhuri’s Juhi. Eventually she finds out about Hari’s business dealings in illegal drugs, and sends him packing right after she gives birth to their son.  Of course after telling him off she has a huge headache and at that moment, she’ s offered some medicine by an evil friend, Mr. Lal:And just like THAT she’s hooked!

So Juhi has sent her husband packing and quickly becomes addicted to her nose candy.  A police inspector  played by Suresh Oberoi goes to Juhi to find out more about what she knows about Harikishan and  notices Juhi’s addiction, meanwhile, I ignored most of that scene and just noticed this great subtitle ripe for a screen capture:

Harikishan realizes his estranged biwi has pushed him out of her life, and decides to soothe his anguish with music, but he’s shocked even more when a drugged up Juhi makes an appearance.  Staggering and stoned Juhi plays the trumpet stopping only to smoke. What an entrance!  Watch Kabhi Kuchh Khoya with playback singer Kumar Sanu,who incidently I saw in concert with Akla Yagnick  a few yers back when I was too new of a Hindi cinema fan to fully appreciate.

Watch here and at about 1:40 the drug fiend Madhuri enters.  Pay special attention for her crazy drugged trumpet playing while smoking at 2:09. When Anil’s Harikishan sees that it’s a COMPLETE buzz kill and he realizes, “I married a drug whore! My dealing of drugs brought this all about! The mother of my son uses coke!”

I’d like to bring up Whitney Houston again, who just this week was banned from Prince concerts due to her drug using antics and trying to get on stage with Prince in her altered state. Houston  has since gone into rehab.  This makes me wonder if that’s how Harikishan felt when Juhi trid to play trumptet while he was jamming with his friend in  Kabhi Kuchh Khoya. Poor Juhi did not make it into rehab. She realized her problem, made arrangements to have her son cared for: Then she goes down the self-destructive path of drug abuse.But then there’s a knock at the door!Harikishan pleads with Juhi to stop her drug use.

He leaves, only to return another time…

to find an overdosing Juhi.

What happened to Juhi?  Watch the movie if you dare to see, or ask me in the comments and I’ll tell you.  Let this be a warning to you, don’t do drugs!  Thank you for reading this post, but now, with all due respect, all I have to say is…

 Report to  Bollywood-ish blog  for Magic of Madhuri Week‘s  FULL LIST BLOG POSTS.

Vikram-ji! Many happy returns of the day!

It’s Vikram’s birthday today, and Bollystalgia! put out a call for us to celebrate worldwide by posting about Chiyaan.When India is sweltering in heat and Chiyaan is working away at various locations across the globe or in some film studio in Chennai, many a cold climate dwelling filmi fan got through the brutal winter by imagining that south Indian heroes like Vikram did our chores; from the strenuous to the more simple things, like changing our clocks for daylight savings time.  Liz from My Year of Prakash Raj organized those images at Ayoo! South Indian Heroes Do Your Chores.  Vikram did many chores as evidenced by Liz’s site, one of which was wishing me happy birthday (and doing my snow shoveling), so it’s the least I could do to reciprocate, and wish him many happy returns of the day.
 
I first fell for Vikram when Apunbindaas, the Hmong Chick who loves Indian cinema, was kind enough to send me  Anniyan (2005)  all the way to Minnesota from Atlanta, Georgia, USA.

Anniyan is the story of “Rules” Ramanujam Iyengar alias “Ambi” (Chiyaan Vikram), a lawyer who suffers from Multiple Personality Disorder. Ambi is an innocent and honest lawyer. If he comes across anyone not obeying the law, he files cases against them but all his efforts go in vain. (source)

Doesn’t reading Multiple Personality Disorder let you know already that this movie is a winner? 

It’s one of those multiple personalities that makes the film.  Once I saw Vikram’s Remo character (the crazy side of the multiple personality) that was it, I was in filmi love like never before!  Enjoy Vikram in his crazy Remo character here in the tune, Kadhal Yanai  with Nandhini (Sadha) playing the love interest and Yana Gupta as gori extra, (playback singers Nakul, Nelwyn & G. V. Prakash Kumar) and be sure to watch it all the way through so you can see Remo’s  love detector.

 Yes!

Arul (2004) also captured my attention when his passionate character went bilkul ballistic when he heard anyone engage in swearing or poor language, which he refered to as dirty talks.

Really makes you think doesn’t it?  Arul makes you want to be a better person, hai na? I liked Arul (2004) so much that I’ll write that up soon, but in the meantime head to Filmi Girl’s entertaining review of the movie HERE.

I also loved seeing Vikram in Mani Ratnam‘s Raavanan (2010) as a marvelous villain (misunderstood and surely with a heart of gold), but have yet to see him playing the good guy in Raavan, the Hindi version of the same film.  I saw  Raavanan on the big screen last year without subtitles, and now am fortunate to now be able to see it again in Minneapolis next week,  but this time WITH subtitles in English since it’s part of the 2011 Minneapolis-St.Paul International Film Festival.

Vikram speaks here about the process of filming Raavan (2010, Hindi)  and Ravaanan (2010, Tamil)  concurrently, playing separate roles, in different languages:

For more honors to Vikram on his birthday, head over to FilmiGirl in the USA, and click across the globe to New Zealand and read what Ness over at Shahrukh is Love  has to say about Bheemaa (2008).  Now head back to Bollystalgia, representing Boston, MA and Detroit, MI and every place in between to see her Happy Birthday Rampwalk Remo  post.  Huppy Burday to Chiyaan!  Now is simply the intermission until I see another Vikram film!   Until then, I feel like I’m behind bars!

What Vikram movies have you seen?  Tell me your favorites and your recommendations.  Check out Chiyaan Vikram’s website HERE.

Nargis & Deedar: The Art of the Refrigerator Mujra

In light of Pakistan’s defeat yesterday by India in the Cricket World Cup 2011 semi-finals, I’d like to help cheer up Pakistan along with my readers.  Pakistan, you may not have progressed to the finals of the ICC Cricket World Cup 2011, but you do have the consolation of something I like to call the refrigerator mujra.  Allow me to explain. Back a few years ago I found a video of mujra star Megha.  After watching one of her videos, I found a need to see more and more and was thus sucked into the gritty and sexy world of mujras.

Mujra is a form of dance originated by tawaif (courtesans) during the Mughal era. Mujra incorporated elements of the native classical Kathak dance onto music such as thumris andghazals or poems of those from other Mughal cultures such as Bahadur Shah Zafar.  Mujra was traditionally performed at mehfils and in special houses called kothas. During Mughalrule in India, in places such as Jaipur, the tradition of performing mujra was a family art and often passed down from mother to daughter amongst Muslim practitioners. The profession was a cross between art and exotic dance, with the performers often serving as courtesans amongst Mughal royalty or wealthy patrons. (source)

I needed to process what I’d experienced watching these dances and was lucky enough to stumble upon Richard’s blog Dances on the Footpath, and was able to share my response too Megha and her wild dancing.  As it turns out Richard is a connoisseur of mujra and you can see some of his reflections of the art form HERE.   After Megha, I became fascinated with  Nargis and then found her sister Deedar whose style is more athletic and what I  imagine a Pakistani Jazzercise instructor would deliver.

First let’s warm up with a mujra featuring the sisters Nargis and Deedar :

After getting over the initial shock of the boldly sexual nature of the mujra, I became fixated on the staged mujra and the sets.   Often times the stages are set up to look like a home, and I started noting the stereo consoles, furniture, televisions, telephones, and just basically all the regular things found in a home up there on the stage.  I think the point is to show the guys, Hey, this is all typical stuff, see it’s just happening here in a typical home, could be anyone’s home…even your home, yeah you could have all this. OK the truth is the stage is set up for a play and the mujra number serves as a break in the action.

Thank goodness for being able to discuss the art of mujra with the likes of Richard, and fellow Lollywood enthusiast, Dishoom Dishoom, who owns several prominent kothas in Pakistan. I made that part up about the kothas, sorry Dishoom Dishoom. Now let’s start with Deedar’s mujra in which a  refrigerator is featured at  5:09, but I recommend you watch her entire performance:

Here again Deedar mujras away and at 1:47 the refrigerator makes a cameo, and then makes a full on appearance at 3:25:

You may be saying, Sita-ji, look it’s just the same stage set up, so it’s the same refrigerator. To that I say, take a look, they’re DIFFERENT refrigerators.I especially like the mujra here, since it features a commercial refrigerator in a store setting.

For the life of me I CAN’T find Nargis doing a mujra near a refrigerator!  If you find one, let me know and I will amend this post.  As a substitution, I believe this mujra in a hospital setting will suffice, since refrigerators are implied, like in the kitchen or in an area where blood is stored in the hospital.

Nargis also has a beauty salon in Canada!

Nargis currently resides in Canada with her husband Zubair Shah and one son Murtaza Ali and daughter named Masooma. She now runs a beauty parlour/spa/salon in Markham ON Canada. (source)

Feast your eyes on all that’s available at Nargis Botique…Where Beauty Begins. Next time I’m in Markham Ontario, you know where I’ll go!

Now Pakistan, cheer up about your loss to India in the ICC Cricket World Cup 2011, because you have a whole world of refrigerator mujras to help you feel better.  And congratulations to India.  I challenge someone out there to do a post on stage murja that feature television sets and/or stereo consoles in the background.

UPDATED 4.18.11!

Thanks to Richard at Dances on the Footpath for doing more research and locating  a special Sheeza refrigerator mujra:

Amitabh vs. Lady Gaga: Bollywood did it better!

There was a lot of hullabaloo last week regarding Lady Gaga hatching from a giant egg at the Grammy Awards before her performance of a song too reminiscent of Madonna’s Express Yourself to be considered original. With all the attention about the song being a copy of another, I say WAIT!  The egg hatching is also a copy!  Bollywood did it first, and Bollywood did it better.  You already know of  Amitabh Bachchan’s big egg reveal from Amar Akbar Anthony (1977) in My Name is Anthony Gonsalves and if not, here it is:

So readers, please vote: Who had a more magnificent hatching from a giant egg, Amitabh Bachchan,

or this other performer?

Vote karo!

 

Johnnie Walker bottles in Bollywood

Yaar, I had to call you and tell you the news…I’d like to send out the old year and welcome in the new year with a toast to all you readers with a peg of Johnnie Walker.

I always notice Johnnie Walker whiskey bottles in Bollywood films. Perhaps I have a very specific obsessive compulsive disorder that deals exclusively with finding Johnny Walker bottles in the films. I have photos of Johnnie Walker bottles sprinkled throughout this blog, but I thought I’d follow the lead of Shweta at Apni East India Company, who keeps a chronicle of Bollywood chandeliers and create a separate page for all the Johnny Walker.  So please click over to the new Johnnie Walker in Bollywood page and send me your photos to add.

 Have ek aur peg of Johnnie Walker now for our toast! I raise my glass to you, wishng you all the best in the new year!