Bilkul Pakka!

bikulpakka2jpg.jpgI bet you may recognize this woman.  Allow me to explain how she’s been an inspiration to me. I look forward to the day when I finally am able to travel to India. I envision myself at the customs counter in Mumbai, Kolkata or perhaps Chennai, and my passport along with my travel visa are being scrutinized.  It is then that I plan to use my Bollywood vocabulary learned from the Tilda rice commercial.   You know the one, where the mom tells her daughter to get the recipe to work she must be sure to be “bilkul pakka!”  This seems to mean, “just right” or “absolutely correct.”   It is THIS phrase that I will very confidently say in India, to the customs agent when they are pausing over my documents: “Sir-ji (or memsaab-ji), everything should be absolutely correct. (pause) Matalab, sub kuch bilkul pakka!” He or she will then look up and say, “Where did you learn to speak such absolutely perfect Hindi?” I’ll just tell them I learned from Shamaroo and Eros Entertainment and of course the Tilda Basmati Rice commercial.  Which reminds me, I really should get a book to learn some Hindi.

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Too bad I couldn’t find the commercial I was talking about, but here’s another, it doesn’t say “bilkul pakka,” but it’s sort of cute and counts towards building up the “food” in  Bollywood Food Club.

 

Here’s another version of a Tilda commercial.

Video of the day: “Dum Maro Dum” from Hare Rama Hare Krishna (1971) and my thoughts on those glasses

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Hare Rama Hare Krishna (1971) tackles lots of evils floating over from Montreal to Kathmandu: drugs, short skirts, hippies, smoking, drinking and the effects of divorce. I prefer the Hindi word for divorce: talak! Sounds so much more harsh and final than the word divorce. Say it: Talak! Doesn’t that sound more like divorce than divorce? Zeenat Aman‘s little Jasbir is told by her maid that her mom and brother are really dead, in order for her to better understand their disappearance from her life after the talak. How thoughtful of her. But I’m getting ahead of myself! What caused the divorce, I mean the talak? The philandering father (Kishore Sahu) is the cause and he flips the whole script on his wife (Achala Sachdev), blaming her. He asks for the divorce after downing some Johnnie Walker, then slaps his wife. In the first few minutes I had a scene combining a tight slap to the face AND drinking Johnnie Walker! Observe these serious parenting errors:

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So back to what I was saying about the maid. I loved how the maid broke the news to Jasbir that her mom and brother were dead, except for they weren’t really dead. I guess the maid thought it would be easier on the kid to explain their absence by telling her they were dead. See those ugly glasses on the nightstand?

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And if those images don’t show just how harsh things were for little Jasbir, take a look at what she has to tolerate from her new step mom in a pink negligee:

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Isn’t if easy for to understand why Jasbir wants to change her name to Janice and become a hippie after all the trouble she faced in Montreal?

When I watched Hare Rama Hare Krishna I just couldn’t stop focusing on Zeenat Aman‘s character’s glasses. Jasbir/Janice was such a mess as a kid. I know she needed those glasses to see, but did they have to be so ugly? I don’t blame her for not wanting to wear them both literally and metaphorically. The glasses were obviously used to symbolize her not wanting to have to “see” her disruptive home life, right?

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Skip ahead to her time in India and she sports groovy glasses, rose colored glasses. With that turbulent past Janice needs to see her world through rose colored glasses or not at all. It made me wondered if the saying rose colored glasses exists in Hindi. Zeenat Aman wearing those big round rose colored specs reminded me of my Malibu Barbie. Both the movie and the Malibu Barbie came out in 1971. Janice wore those pink glasses on top of her head a lot, just like Malibu Barbie did.

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Hare Rama Hare Krishna is a 1971 Indian film directed by Dev Anand starring himself and Zeenat Aman. The film was a hit and a star-making vehicle for Zeenat Aman, who played a westernized hippie, and won the Filmfare Best Supporting Actress Award, as well as the BFJA Award for Best Actress. The movie dealt with the decadence of the Hippie culture. It aimed to have an anti-drug message and also depicts some problems associated with Westernization such as divorce. The film is about a Montréal-based Indian family, the Jaiswals. The brother Prashant (Dev Anand) and sister Jasbir (Zeenat) have a good relationship as children. However, the parents quarrel and separate leaving Prashant with the mother and Jasbir with the father. Jasbir is repeatedly told that her mother and brother are dead and she eventually believes that she will never see Prashant again. She is ill-treated by her step mother and she runs away from home. Prashant grows up to be a pilot and he learns that Jasbir is in Kathmandu, Nepalwith a group of hippies. To reunite with his sister, Prashant travels to Kathmandu and meets Shanti (Mumtaz) who was to later marry him, and also Janice who in reality is his sister Jasbir with a new name and identity. She has forgotten her childhood and Prashant too. Prashant has to get his sister back amongst other events which include his being suspected as a thief in Kathmandu and fearing for his life. (wikipedia)

Philips Filum’s has an excellent synopsis of the movie, and Nandini already posted the most excellent song from the movie, Ho Re Ghungroo Ka Bole, featuring Mumtaz, who like Aman sported those fat yarn ribbons in her hair.

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Janice’s western ways and messed up childhood results in her drinking beer from a can:

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So finally, here’s the video of the day, “Asha Bhonsle won Filmfare Best Female Playback Award for the song Dum Maro Dum, which was a huge hit. The music of the film was composed by Rahul Dev Burman and the lyrics were written by Anand Bakshi.” (wikipedia)

Thanks to organicjerk for the video.

Since I love the talent shows, watch Shreya Ghoshal on Amul Star Voice of India’s Chhote Ustaad introduce Anwesha Dutta Gupta who covers the movie’s title track “Hare Rama Hare Krishna”

Video by dJabhik

Happy St. Patrick’s Day, Bollywood style

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Happy St. Patrick’s Day!           

This is about as close as I can get to having anything related between St. Patrick’s day and Bollywood: Kajol as Barbie in her DDLJ green dress.  St. Patrick was famous for driving those snakes from Ireland, and I did post about snakes the other day, and there is a Bollywood Ireland website, so I tried.

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Video of the Day: “Khel Wohi Phir Aaj Ti Khela” from Nigahen: Nagina Part II (1989)

nigahencover.jpgI should have seen  Nagina (1986) first, which is reviewed very well here at the Bolly Blog, but what arrived in the mail was Nigahen: Nagina Part II (1989).  This crazy snake themed movie stars Sridevi, Sunny DeolAnupam Kher, and Pran.  As an extra bonus, occasionally we get to hear the magical voice of Amrish Puri from his look alike statue, but I bet in Nagina he was a lot more than a statue.  I especially enjoyed that Sridevi got to play her own daughter again in this film, just like she did in Lamhe. Stop over to Planet Bollybob for an excellent review of the film.

After the tragic deaths of his son, Ajit and daughter-in-law, Rajni, Raja Saheb decides to educate his grand-daughter, Neelam, in the city. Years later, Neelam has grown up and returns temporarily to their rural palatial home. Raja Saheb would like her to live there, and look after the business, but she refuses. Then she meets with Anand, and everything changes for her overnight. Both of them fall in love, and would like to get married. Anand is introduced to Raja Saheb, and Neelam is introduced to Anand’s mom, Shanti. Both approve of this couple and plans are set for the marriage to take place. When Neelam does not know is that Anand is not who he claims to be – but in reality was a snake kept in captivity by Tantrik Goraknath, who wants to possess a priceless diamond stone called “Mani”, and Neelam is the only one who knows it’s location. And Goraknath, unlike his mentor, Bhairavnath, has ensured that no one will stand in his way when he obtains the Mani. (by rAjOo at IMDB)

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The snake seems to possess Sridevi’s Neelam by doing this:

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Anupan’s character is a real jerk, and was the winner of the Best Male Wig Award, but he is no match for these powerful eyes:

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Watch the snake woman Sridevi in “Khel Wohi Phir Aaj Ti Khela” with playback singer Kavita Krishnamurthy, and music by Laxmikant Pyarelal.  Is she more snake than woman, or more woman than snake?

 

Thanks to grotesk55 for the video.

Spoiler Alert:

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Are Saif and Kareena already married?

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Are Saif Ali Khan and Kareena Kapoor already secretly married? Read this article in Pink Villa to see what you think. The article included the following about this rumor: Saif dismissed it off as a rumour, and his mother Sharmila Tagore said, “I have no idea. When he married Amrita Singh, he didn’t inform. I don’t think he would do the same thing again.”  Forget that chugli, I was really just looking for a reason to show you Kareena in Vogue.

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Video of the Day: “Reshmi Salwar Kurta Jaali Ka” from Naya Daur (1957)

Dosto! Sometimes I love a movie so much that I could post so many screen images and videos from it that it would amount to having you see the entire movie. Such is the case with Naya Daur (1957). Just look at these swell images and I know you will understand my excitement:

With images this exciting and beautiful, imagine how enjoyable it was to see the entire movie. I’ve already posted about Naya Daur here before, but I’m not through. I loved Minoo Mumtaz and Kumkum pictured here in “Reshmi Salwar Kurta Jaali Ka” from this classic film. This is another spectacular song by O. P. Nayyar and lyricist Sahir Ludhianvi. The playback singers are Asha Bhosle and Shamshad Begum, who is said to be one of the first playback singers in the Indian film industry. “Shamshad became a national rage between the 1940s and mid-1960s rendering songs in her nasal voice, which helped her carve her independent–and till date unchallenged–niche in the world of music.” (wikipedia)


Thanks to oldbollysongs for posting this great video! 

Reshmi Shalwar Kudta Jali Ka from Naya Daur (New age) a Bollywood Classic song from an excellent movie re-made in color version. This song is brilliantly sung by Shamshad Begum. Naya Daur is a 1957 Indian drama film starring Dilip Kumar, Vyjayanthimala, Ajit and Jeevan. Originally filmed in Black and white, the film was colourized and re-released on 3 August 2007.

Lyrics in Hindi, and if you find them in English or want to translate them, please post.